Among the principal cast is Elijah Ahmad Lewis, who stars as the Scarecrow; a role that carries deep personal significance. The Wiz was the first musical Lewis ever performed in, playing the Scarecrow in a school production, an experience he credits with sparking his love for musical theatre. Decades later, he returns to the character with the perspective of a seasoned performer whose career spans Broadway, national tours, television, and music.

This anniversary production, which runs through Jan. 25, infuses the classic story with contemporary movement and sound, blending ballet, jazz, and modern pop while honoring the show’s roots in Black culture and musical tradition.

Under the direction of Schele Williams and with choreography by JaQuel Knight, the production offers a reimagined Oz that feels both celebratory and urgent, while preserving the heart of the original.

Ahead of the Costa Mesa engagement, Lewis spoke with Backstage about revisiting the role that shaped his early artistic path, the physical and emotional demands of portraying the Scarecrow, and what audiences in Southern California can expect from this landmark revival.

What excited you most about taking on the role of Scarecrow in The Wiz?

What really excited me about playing the Scarecrow is that it feels like a full-circle moment for me. The Wiz was the first show I ever did at school, and I actually played the Scarecrow back then, too. That role and that production are what made me fall in love with musical theatre, so coming back to it now feels very special.

How do you personally approach this character? 

The Scarecrow was a character I really had to discover. Because these characters are fictional, you have to bring something of yourself to the role. He’s often portrayed as foolish or aloof, but I wanted to give him more dignity — highlighting that his first thoughts and gut instincts were actually right all along. And in this production, let’s not forget, he’s a scientist. In bringing this reimagined teenage version of the Scarecrow to life, I focused on grounding him in real, human cues that ultimately reveal he had his brain the entire time, while also paying homage to and incorporating small details inspired by those who came before me.

How physically demanding is playing the Scarecrow, and what has rehearsals been like?

The role of the Scarecrow is extremely physically demanding. We had five weeks to prepare for the tour, working on a six-day schedule from 10 a.m. to around 6 or 6:30 p.m., with one hour for lunch and one day off each week. After that, we entered a two-week technical process, during which all the elements — costumes, makeup, wigs, microphones, lighting, props, and the set — came together. This role requires full-body engagement, and performing it takes a great deal of effort, as well as consistent maintenance and conditioning to sustain eight shows a week.

You’ve worked with some of the biggest names in music: SZA, Usher, Ariana Grande, Madonna. How does that musical background influence the way you perform onstage in a show like The Wiz?

All forms of entertainment are a collaboration and share many of the same demands and technical skills. Working and performing alongside other artists — whether on stage or in different mediums — is very similar to theatre in that you’re always telling a story and transferring emotion to an audience. The discipline of musical theatre, in particular, translates seamlessly across all areas of entertainment, from consistency and storytelling to collaboration and technical precision.

What’s one moment in the Wiz rehearsal room that made you think, “Yeah… this is something special”?

Understanding that this production marks the 50th anniversary of The Wiz— a show that is deeply rooted in and belongs to Black culture — felt monumental to me. It’s a piece of history that I truly wanted to be a part of. The show is grand and deeply important to our community, having shaped so much of our cultural history and entertainment legacy. Generations have connected to it through shared stories and lived experiences. In the rehearsal room, hearing the harmonies we created and discovering new layers together confirmed that we were on the right path in honoring this celebration, and it made me even more excited to share it across North America once again.

What are you most excited about bringing this show to Southern California/Orange County audiences? 

What excites me most is sharing the pure joy this show brings. There’s an undeniable happiness that radiates off the stage. Theatre allows audiences to escape for two and a half hours and be fully immersed in an experience that makes you feel. This production, in particular, lifts you and sends you back into the world energized — telling the story through our lens while spreading a powerful message about being enough, and about finding peace and confidence in who you are and what you bring to the table. 

What has been your favorite moment of the tour so far? 

My favorite part of touring this show is going to the stage door, and seeing how inspired the kids are — hearing them excitedly talk about what they saw, what they heard, and how it made them feel. I also love seeing multiple generations of families come together, sharing their own memories of The Wiz while experiencing this new version together. Those moments really show the impact and longevity of the show, and how it transforms lives.

You’re also releasing new music with your album “Energy and Love.” How does your music intersect with your theatrical performances?

Sustaining an eight-show week is definitely not for the weary, lol. Building that kind of stamina and endurance on stage night after night really strengthens your “engine,” and it translates directly to being able to give more as a recording artist.

If someone is coming to The Wiz expecting the classic Wizard of Oz story, what do you hope surprises them the most about this production?

I always like to say: come with an open heart. This 50th Anniversary production is a reimagined celebration of the classic we love. The wonderful thing about The Wiz is that every iteration over the past 50 years has spoken to its own decade, yet the heart of the story has always remained the same. I encourage audiences to come with an open heart and embrace this new version of something we’ve all loved for so many years.

You’ve had an impressive journey across Broadway, national tours, television, and music. Looking back, what advice would you give to your younger self just starting out?

I would tell my younger self: you are enough. Stay the course, remember that your gifts and talents were given to you to exercise to their fullest, and never dim them for someone else’s comfort.

Elijah Ahmad Lewis, who stars as the Scarecrow

THE WIZ

Segerstrom Center for the Arts – Segerstrom Hall, 600 Town Center Drive, Costa Mesa, CA 92626

Run Dates: January 13–25, 2026

More info: scfta.org

The post Elijah Ahmad Lewis Brings ‘The Wiz’ to Costa Mesa in a Full-Circle Moment appeared first on Backstage Socal.

What if Juliet never picked up the dagger? 

That’s the playful premise behind & Juliet, the hit Broadway musical making its Segerstrom Center for the Arts debut in Costa Mesa Sept. 9–21, 2025. 

From the Emmy-winning writer of Schitt’s Creek and featuring the chart-topping hits of Grammy-winning songwriter Max Martin, this high-energy comedy reimagines Shakespeare’s heroine ditching her tragic ending for a bold new beginning.

With a soundtrack packed with pop favorites like “Baby One More Time,” “Roar,” “Since U Been Gone,” and “Can’t Stop the Feeling!,” & Juliet is a fun jukebox musical mixed with historical and hysterical pop culture references. 

Directed by Luke Sheppard and choreographed by Emmy Award-winner Jennifer Weber, the musical continues to break box office records from London’s West End to Broadway and beyond.

Taking on the role of Anne Hathaway—yes, Shakespeare’s real-life wife—is Broadway star Teal Wicks. Known for her powerhouse performances as Elphaba in Wicked, Mary Barrie in Finding Neverland, and Lady in The Cher Show, Wicks now brings wit, warmth, and a modern twist to Shakespeare’s partner-in-crime. 

A UC Irvine alum, she’s especially thrilled to return to Orange County for this run.

Backstage SoCal caught up with Teal to chat about coming full circle at UCI, why Anne Hathaway’s voice feels so fresh, and the moments in & Juliet that spark the biggest energy shifts in the audience.

Q: As a UCI graduate, what does it mean to you to bring this musical to Orange County?

Teal Wicks:
It’s so exciting, really fun, and it feels very full circle. I loved my time at UCI and in Orange County. As a drama major, that’s where I was truly discovering my voice as an artist. It laid the foundation for so much of my career. The training I received there is something I’ve been building on for the past 20 years as a professional actor, which is wild to say!

UC Irvine also has this incredible program called the New York Satellite Program, which I did twice. We spent four to six weeks in New York taking classes, auditioning, and seeing as many shows as possible. I always loved the idea of New York, but living there during that program made me really fall in love with the city. It showed me I could handle it, and it gave me the confidence that I could actually pursue this dream. So UCI was very much the launchpad for the career I’ve been fortunate to have.

And now, bringing & Juliet to Orange County feels extra full circle because, when I was in college, we did a production of Romeo and Juliet with music. I was part of a girl group trio that sang in the background for a lot of the big scenes. So here I am again, back in Orange County, doing another musical inspired by Romeo and Juliet. It’s such a funny, special connection, and really, really fun.

Q: Anne Hathaway gets to be Shakespeare’s witty, opinionated partner-in-crime. What do you love most about how she’s written in this story?

Teal Wicks:
What I love most is that Anne is written as a mature woman. She’s a wife and a mother, yet she still gets to have such a strong voice and so much fun. David West Read, our writer, really gave a lot of freedom to these characters. He created space for us as actors to interpret, to play, and to bring as much of ourselves into them as possible. That’s such a gift.

I also love how playful Anne is. So often when characters in their middle age are written, they can come across as stuffy or overly serious. But that’s not real life. I know 90-year-olds who are silly, playful, and still have that youthful spirit alive in them. That’s exactly what Anne embodies: a woman who embraces her joy and humor, even as she carries the wisdom of her life experience.

And then there’s her dynamic with Will. It’s not perfect; they’re in a stage of life where they’re both in very different places emotionally and physically. In the play, they’re on a journey to rediscover each other. Not by trying to go back to who they were when they were young, and not by trying to reinvent themselves into something they’re not, but by meeting each other where they are now. They embrace who they are in this moment, and in doing so, they find a way to keep their relationship alive.

Q: What’s your favorite moment on stage in this musical where you feel the audience’s energy shift the most?

Teal Wicks:
There are a few, but I’ll give you two.

The first is in Act One, when we introduce the character of May. Up until that point, the audience is following along with characters they already know from Shakespeare’s canon; it feels like we’re still inside Romeo and Juliet. But then Anne Hathaway decides we need someone new in this play, and May enters. May is non-binary, and the show simply celebrates May as they are. There’s no big explanation needed, and it’s a beautiful moment.

You can feel the audience shift when May arrives. Even if someone doesn’t fully understand them at first, by the end of the show they do, and they love May. For non-binary audience members, it can be especially powerful. We’ve had people at the stage door share that May was pivotal for them, sometimes the very first time they felt truly represented onstage. That makes the moment incredibly special.

The second is in Act Two, when I sing That’s the Way It Is with Juliet. Up until then, Anne has been more of a storyteller, pushing the plot forward and guiding the audience. But in this song, she lets her walls down and opens up about marriage and relationships. It’s her most vulnerable moment, and it shifts the tone of the show.

Yes, & Juliet is a comedy, but here we dive into something very real: mature love, the challenges of it, the realities of what it means to stay together. It’s not just about young, star-crossed lovers anymore; it’s about love in all its complexity. You can feel the audience lean in during that moment, and it’s so fulfilling to share that with them.

Q: What do you hope your audience will bring home with them after seeing & Juliet?

Teal Wicks:
I hope they leave with love and passion for theater itself, because & Juliet is also a love letter to theater and the power of shared stories. Theater is such a special, ancient space where stage and audience come together, and I hope people walk away reminded of that magic.

I also hope they leave with full hearts; feeling empowered to forge their own story. It’s never too late to take control of your own narrative, to decide who you are, and to shape the life you want to live. If audiences carry that with them, along with joy from the music and the comedy, then we’ve done something really meaningful.

_______________________

& Juliet 

Dates: September 9 – 21, 2025
Location: Segerstrom Hall, 600 Town Center Drive, Costa Mesa, CA 92626

Tickets: Starting at $44.07

Online: scfta.org

The post From UCI to Broadway: Actress Returns to OC with Broadway’s Hottest Musical ‘& Juliet’ appeared first on Backstage Socal.

The winner takes it all — and this week, that winner is Orange County.

The feel-good musical phenomenon Mamma Mia! returns to Southern California as part of its 25th Anniversary North American Tour, landing at Segerstrom Center for the Arts in Costa Mesa May 13–18. 

The sun-soaked musical set in a Greek island paradise, features anthems by the Swedish pop group ABBA. 

For Christine Sherrill, who stars as the show’s beloved matriarch Donna Sheridan, the role is both a diva dream and an endurance challenge.

“Donna is 100% diva because she is modern and real. She’s a 10 on the diva scale,” Sherrill shares. “The ‘Donnathon’ is what we call the 20 minutes of the second act in which I perform three songs and three scenes without leaving the stage. It requires more endurance than Kate and about the same amount of energy and endurance as Norma. Best of all, Donna is fiercely independent and determined.”

Since the musical’s debut in London in 1999 and its Broadway premiere in 2001, Mamma Mia! has become a global hit, with more than 70 million people worldwide experiencing the show live, and over $7 billion grossed across 50 productions in 16 languages. 

The story — told through ABBA’s timeless catalog — has inspired two smash-hit movies and continues to bring generations of fans together for a night of love, laughs, and platform shoes.

“My favorite part is connecting with the audience,” Sherrill says. “There are different parts of Donna that appeal to different audience members. I honor her humor, regret and fortitude and hope I’m in turn honoring someone special in the audience.”

Behind the scenes, the cast has built a tight-knit, celebratory family — something that became especially clear to Sherrill during the tour’s Mother’s Day performance.

“I received so much love from the cast. Flowers, gifts, my favorite coffee and favorite whiskey, of course,” she says. “I felt like a queen receiving so many heartfelt words and cards. I am so supported on and offstage by this incredibly talented company. It wouldn’t be possible to do this job without their love.”

While Sherrill is no stranger to grittier screen roles — including FBI: Most Wanted and Red Dead Redemption — she says musical theater is where her heart lives.

“I’ll say the stage has always been easier for me,” she explains. “The energy the audience gives fuels my performance and sometimes can inform new choices. Audiences make me a better actor.”

And what should Southern California audiences expect when the lights come up on Skopelos Island?

“They can expect to escape the real world for the beauty and joy on the island,” she says. “Best of all, they can expect to be surrounded by their neighbors up on their feet singing and dancing by the end.”

According to Sherrill, there’s no mystery to what makes Mamma Mia! such a feel-good, multi-generational favorite — just a little ABBA magic and a lot of heart.

“First and foremost, the score. It’s been so rewarding on this particular tour to see three generations of women enjoying the show together,” she says. “The secret ABBA ingredient is magic to me. We have patrons who grew up with it, those who listened to it with their parents, and a new generation that discovered it through social media sound bites.

“Secondly, the story of finding strength in friendship. So many folks at the stage door comment on how touching the relationship between The Dynamos is to them and how it reminds them of the goodness friends bring.”

And if Christine Sherrill ever headlined her own jukebox musical?

“It would be called Next to Norma and would be a score by Brandi Carlile,” she says.

Until then, one can find her center stage — belting her heart out and leading one of the most feel-good parties on any stage.

‘MAMMA MIA!‘

Segerstrom Center for the Arts – Segerstrom Hall

600 Town Center Drive Costa Mesa, CA 92626

May 13 – 18, 2025

Tickets start at $55.37

scfta.org

The post ‘Mamma Mia!’ Returns to Costa Mesa with Dancing Queens and ABBA Magic appeared first on Backstage Socal.

Orange County guests can immerse in a unique two-part summer experience right in the heart of Laguna Hills. Delight in a sumptuous dinner at King’s Fish House before being mesmerized by the Cirque du Soleil show, Kooza, under the Big Top at Laguna Hills Mall through August 4.

Guests can indulge in this perfect pairing of culinary and theatrical excellence with a delectable seafood dinner at King’s Fish House, conveniently located just steps away from the Big Top. The menu features a variety of fresh catches, mouthwatering appetizers, and signature dishes to satisfy all palates.

Special Cirque-themed dishes and drinks, like The Innocent cocktail made with bourbon, blood orange syrup, and orange bitters, add a unique flair to your dining experience. Don’t forget to snap a photo in front of the fun Kooza-themed background at the restaurant.

After dining, take a short stroll to the Big Top in the Laguna Hills Mall parking lot, where Kooza awaits. This beloved touring production, which premiered in 2007, captivates audiences with its blend of acrobatics, clowning, and theatrical artistry. The dynamic performances, stunning visuals, and enchanting music make Kooza a must-see show.

Adding to the excitement, Backstage SoCal had the honor of going behind the scenes to witness the magic of Kooza come to life. This exclusive backstage tour revealed the intricate preparations and hard work of the talented cast and crew, offering a deeper appreciation for the spectacular performance that unfolds on stage.

Whether one is planning a night out with family, friends, or a special someone, this combination of culinary and theatrical delights promises an unforgettable experience in Laguna Hills.

The touring production will return to Southern California at Santa Monica Pier under the iconic Big Top from Oct. 19-Dec. 1, 2024. This marks Cirque du Soleil’s first Big Top show in Santa Monica since 2014.

‘Kooza’ presented by Cirque du Soleil

For more information on tickets for Cirque du Soleil’s Kooza: https://www.cirquedusoleil.com/kooza

For more information and finding a location for King’s Fish House: https://www.kingsfishhouse.com/

The post Culinary and Theatrical Delights at Laguna Hills | Kings Fish House and Cirque du Soleil Kooza appeared first on Backstage Socal.

All eyes were on Mark Wahlberg on Saturday, as he cut the ribbon of his latest venture Flecha – a modern Mexican restaurant located at the Bella Terra Shopping Center in Huntington Beach.  

The acclaimed actor and restaurateur brought his signature blend of star power and personal charm to the private grand opening event with a celebration filled with vibrant energy, heartfelt moments, and a dash of Hollywood flair.  

Wahlberg, known for his multifaceted career in entertainment, arrived at Flecha with the grace and humility that his fans have come to admire. The devout Catholic kicked off the festivities with an intimate gathering that included a heartfelt prayer led by a local priest. This special moment set the tone for an evening that beautifully blended tradition with modernity.

Margaritas and cocktails, including those with Wahlberg’s own Flecha Azul tequila, flowed all night. Actor and TV host Mario Lopez also showed up for the festivities, joining Wahlberg behind the bar to serve up drinks to guests.  

As the night unfolded, guests enjoyed a preview of Flecha’s menu, which features a variety of dishes crafted to delight and surprise. From traditional tacos and enchiladas to innovative offerings like avocado tempura and tequila-infused desserts, the culinary team at Flecha showcased their dedication to excellence and creativity.

Flecha, described as “Mexican Redefined,” promises to bring a fresh take on beloved culinary traditions. According to DJM Capital, the brains behind Bella Terra, the restaurant’s concept aims to pay homage to classic Mexican cuisine while introducing innovative interpretations that excite the palate.

With its sprawling 9,892-square-foot space, Flecha is set to be more than just a place to eat. It’s a destination for entertainment, featuring live music, DJ nights, and exclusive events that are sure to make it a favorite local hotspot.

For more info, visit: flechacantina.com

The post Mark Wahlberg’s Flecha Debuts in Huntington Beach with Star-Studded Grand Opening Bash appeared first on Backstage Socal.

Arabian nights have arrived in Costa Mesa with Disney’s “Aladdin” touching down at the Segerstrom Center for the Arts in Costa Mesa this evening. 

The hit Broadway musical returns to Orange County for a limited engagement, May 12-17. The show promises a dazzling spectacle with adventure, romance and, of course, the catchy tunes from the beloved film. 

Audiences will be transported to the vibrant streets of Agrabah, where the talented cast and characters – including Aladdin, Princess Jasmine, Jafar, and the Genie – present dazzling choreography, perform songs such as “A Whole New World,” and tell the treasured story of the charming street rat-turned-prince. 

Performing as the evil Jafar, actor Anand Nagraj shared with Backstage SoCal what makes the musical “Aladdin” so magical. 

What inspired you to pursue a career in acting, and how does performing in Aladdin fulfill that dream?

THAT is a long and convoluted story, but one thing that stands out to me from all of my early acting experiences – in high school, college, and my first professional work – was the sense of community and fun and joy that I felt with all of my fellow actors and artists onstage, backstage, and offstage. 

I’ve always found that theater folk are the best people to be around – the smartest, funniest, coolest, most empathetic, and most generous friends you could ask for. That is something that I’ve looked for in my entire life in the arts, and it’s certainly what I’ve found in my time with the company of Aladdin. I am moved on a daily basis by how lucky I am to be in the presence and talents of this cast and crew. 

How do you find the balance between staying true to the Disney character of Jafar as written while also bringing your own interpretation and personality to the role?

I don’t worry about it too much, to be honest. My first priority is to be true to what’s on the page, and to play it honestly in order to best serve the story. 

The original animated film hit me at such a formative point in my childhood that I can’t help but always carry that performance of Jafar in the back of my mind. And as for making it my own, I tend to think that it’s always going to be my interpretation and be suffused with my personality, because I’m the one doing it! I’ve found that as long as I’m playing it authentically and fully, the rest all takes care of itself.

What’s the funniest or most unexpected thing that’s happened to you on stage during a performance of Aladdin?

This is certainly not a funny thing, but it was decidedly unexpected and very memorable. Early in the run, our wonderful Iago, Aaron Choi, suffered a leg injury during our first act song, “Diamond in the Rough”, and had to leave the performance. 

Everything was fine, the injury was not serious, and he was back in the show a couple of days later. However, Iago and Jafar still had a scene to do before the end of the act, and his understudy was performing another track in the show and could not be into hair and makeup until the top of Act 2. 

So I had to transform our two-person scene into a monologue, on the fly, in front of 2,000 people. And I pulled it off! It was the kind of challenge and thrill that you only find in live theater.

If you could bring one prop from the Aladdin set home with you, what would it be and how would you use it in your everyday life?

I’d bring Jafar’s cobra staff. I do a lot of walking around town when I’m home, and I think I’d look pretty awesome strolling through my neighborhood with that. 

In your opinion, what makes Aladdin the musical so special? 

Obviously, there are so many special pieces of this musical – the gorgeous score, the thrilling choreography, hilarious jokes, beautiful costumes, even A MAGIC CARPET! All worth the price of admission. 

But at its core, Aladdin is the story of a person at a very low point in his life, meeting all kinds of misfortune and making some choices that he regrets just to get by day to day. He’s magically presented with the ability to have anything he could imagine, but he discovers that the only way to really get what he wants is to be honest with himself and the people he loves. And I think that’s a message that we can all use in our lives. 

Disney’s ‘Aladdin’

When: May 7-12, 2024

Where: Segerstrom Center for the Arts, Segerstrom Hall, 600 Town Center Drive, Costa Mesa, CA 92626

Performs: Tuesday, Wednesday, Thursday, and Friday at 7:30 pm; Saturday at 2 pm and 7:30 pm; Sunday at 1 pm and 6:30 pm

Tickets: start at $49

More info: scfta.org

The post Interview with Jafar: Disney’s ‘Aladdin’ Flies Into Costa Mesa appeared first on Backstage Socal.

Orange County patrons can get ready to embark on an unforgettable journey to the Pride Lands — the much-anticipated “Lion King” Broadway Tour will return to the Segerstrom Center of the Arts on Feb. 1 for a three-week engagement. 

The spectacular stage production, inspired by Disney’s animated classic, is not just a show; it’s a mesmerizing experience that promises to captivate the hearts of theater enthusiasts of all ages. 

The Lion King, a theatrical masterpiece that debuted on Broadway in 1997, has become a global sensation with its stunning visuals, captivating storyline, and timeless music. 

The performance is scheduled to commence on Feb. 25, providing attendees with the chance to immerse themselves in the enchanting world of Simba, Mufasa, and the Circle of Life.

Backstage SoCal had an exclusive interview with Forest VanDyke, who brings the hyena Banzai to life in the production. From funny anecdotes on stage to his personal journey with the show, VanDyke shares the magic of Disney’s classic tale.

Q: Congratulations on “Lion King” being your Broadway debut! How long have you been with the tour? 

A: I started January of 2022. January 4th was my two year anniversary. It is wild to think about. Some days it feels like it’s been five, and some days it just feels like it’s been six months. Yeah, time is a little strange on tour. But I’m very thankful.

Q: What attracted you to the role of Banzai?

A: Well, just to be given the chance to be a part of ‘Lion King’ is something monumental. I was asked to put myself on tape, so I did that, and I came in for a call back and it was just fun.

It’s just fun being Banzai; you sort of have a license to do and say things, and behave in ways you couldn’t normally. So there’s a license to kind of go crazy. And it’s just fun.

Q: Are there any funny anecdotes or moments that’s happened on your tour? 

A: Oh, sure. The most fun ones, because it’s live theater, anything can happen. There are times where a strap might come off from your leg; as a hyena, you’re on all fours and you have to deal with that. But sometimes, you go up on a line or you forget your line.

And I remember in the song “Chow Down,” I forgot my line which goes, ‘My stomach’s on the growl, son. and it just came out as gibberish. (laughs) But you just have to keep going. 

Q: Have the production seen any changes since it came through Costa Mesa in 2017?

A: So that was before I came. But I believe in 2017 it was still this current set and of course, costumes change based on the new actors that come to the show. But there’s a sense of continuity over these past however many years.

So it’s likely that you’ve seen the same things. Disney is really good about that; trying to bring the same level of quality to each show that they put out,

Q: What advice would you have for aspiring actors, especially those that are interested in touring production?

A: I would say. if you love the craft of acting and performing, try to do that wherever you can. Whether that be reading scripts with friends in your apartment, studying the classics, watching performances and trying to learn something from them.

Whether that be things you enjoy or things that maybe you don’t enjoy and try to explore why you feel that way about those things. I believe when you pursue what you love, you land where you’re supposed to land.

Q: So how do you prepare for each performance as Banzai? Are there any rituals or anything fun that you do?

A: Well, I try to go to the gym five times a week because it’s such a physical role. So at some point I try to get to the gym and do cardio and some form of weight lifting. But also have certain artists I listen to; Chaka Khan is my favorite artist.

Beyonce is on heavy rotation because there’s something about her that’s so motivating and inspiring as a performer, and somebody that is sort of so aggressive in their energy, you know what I mean? So I love listening to them.

There’s certain podcasts I listen to but something to sort of bridge the gap between the time that I leave wherever I’m staying and the time that I arrive at the theater.

And then I also do the same thing on the way back from the theater, back to the hotel or wherever I’m staying. I sort of have a mind warm up and a mind cool down.

Q: So obviously with the Lion King, the motto Hakuna Matata carries throughout. But you’ve embodied the character of Banzai now for two years – what would you say Banzai’s personal motto would be?

A: That’s hilarious. Oh, that’s a good question. I haven’t thought about that. Let’s eat, let’s chow down. I could see that for sure. Yeah, that’s what’s always on his mind. Food. 

Q: Is there anything that you personally want for your audience to take home with them after seeing the show? 

A: Sure. The show is for everybody and there’s a reason that it’s timeless. I still find moments where I’m inspired to rediscover who I am. Where I rediscover my connection with my own ancestors. But also when you come to the show, you’re gonna see something that you have maybe never experienced before.

And if you’ve seen it before, you’re gonna experience it in a new way. I mean, “Circle of Life” is stunning alone. And I think that’s gonna be something that audiences will be able to carry with them for years.

I think it’s the same reason why you are still so excited about the show. You know, after seeing it back in 2017 – the costumes, the lighting, the songs are like nothing that you have ever seen and maybe will never see again. So come on out and enjoy it.

The Lion King

When: February 1-25, 2024

Where: Segerstrom Center for the Arts, 600 Town Center Dr, Costa Mesa, CA 92626

How much: Tickets start at $39

More info: scfta.org

The post Broadway’s ‘Lion King’ Roars Into Costa Mesa With A Great Return appeared first on Backstage Socal.

Dr. Seuss’ “How the Grinch Stole Christmas! The Musical” is hitting the Segerstrom Center for the Arts in Costa Mesa for nine shows from December 19–24, 2023, and guaranteed to be a sleigh-full of festive fun.

This heartwarming holiday musical has already made waves on Broadway, breaking box office records for two consecutive years at the St. James and Hilton theaters in New York.

The Grinch, that sneaky creature with a heart two sizes too small, has been charming audiences across America, with more than 2.1 million theater-goers having their hearts grow three sizes after experiencing the magic of this musical extravaganza.

What makes The Grinch such a hit? Well, it’s not just the catchy tunes and whimsical sets, but the spirit of Christmas that radiates from every Who in Whoville.

The Grinch’s antics and the infectious joy of the Whos make this musical a perfect treat for families looking to make lasting holiday memories.

Now, what can one expect at the Yuletide spectacle? Whos singing in harmony, a green curmudgeon plotting mischief, and a sleigh full of laughter and holiday spirit.

The Grinch may have a reputation for stealing presents, but in this musical adaptation, he’s also stealing the hearts of everyone in the audience. The costumes are as vibrant as a Christmas tree adorned with ornaments, bringing the whimsical world of Dr. Seuss to life on stage.

The sets are like a winter wonderland, complete with snowy landscapes and the Grinch’s lair, hidden high above Whoville. And let’s not forget the music – toe-tapping, heartwarming, and catchy enough to make even the Grinch himself break into a dance.

The melodies are sure to have its patrons humming all the way home with holiday cheer. Dr. Seuss’ How the Grinch Stole Christmas! The Musical is not just a show; it’s a celebration of the true meaning of Christmas – love, joy, and the warmth that comes from being together.

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Dr. Seuss’ How The Grinch Stole Christmas! The Musical 

For more information about Dr. Seuss’ How The Grinch Stole Christmas! The Musicalat the Segerstrom Center for the Arts, visit scfta.org or call (714) 556-2787.

For additional information on the production, please visit GrinchMusical.com.

Tuesday, Wednesday, Thursday, and Friday at 7:30 p.m.

Saturday at 11 a.m., 2 p.m., and 7:30 p.m.

Sunday at 11 a.m. and 2 p.m.

The post The Grinch arrives in Costa Mesa to Steal Hearts in Musical Extravaganza appeared first on Backstage Socal.

Queen multitasker Hilary Duff launched her latest venture – Below 60°, a modernized fragrance diffuser brand that not only smells great, but is safe for the home.  

The award-winning actress, singer, best-selling author, and mother of three recently added Chief Brand Director to her repertoire with the launch of the diffuser brand, which she celebrated on Tuesday in Beverly Hills with a cocktail reception. 

The line of natural home fragrance products are made from plant-based essential oils — something that was especially important to Duff, who said she is more cautious about what products she uses since she became a mom. 

The masterminds behind the natural diffuser line include founding investors Jeff Marine, president and CEO of JEM Sportswear and Awake Inc.; Brian Lee, co-founder & managing director of Bam Ventures (LegalZoom, ShoeDazzle, and The Honest Company); and Mark Jacobs, CEO at The Watkins Co. 

Lee said the initial idea of an all-natural diffuser sparked when his wife said most similar products on the market were composed of harmful ingredients that she did not want in the air of their home. She also said they were not very attractive as decor as well. 

At the reception, Duff joked that the male trio needed a woman on the team. 

“We need a female in here, which is absolutely the most fun job of all because I am a consumer; I am the one shopping for my family. Just like Brian said, his wife’s like, ‘That’s ugly. I don’t like to look at it and it’s full of chemicals.’ And I think that was the thing that ticked all the boxes for me,” said Duff. 

“One, getting to join forces with these really smart minds who are excellent at what they do. Taking me out of my normal world, which is filming and grinding in that way, and getting to be creative and step in and learn a lot of this process.” 

She also added that she enjoys having a say in the look of the product, as well as the scents. 

“I just get to come in and have a lot of fun and creativity… I also love that this product has so much room to grow and continually will just evolve. I am constantly trying to evolve, and my taste changes, and the things that I like and how I like to express myself, and I feel like this product really fits in line with that.” 

Below 60° introduced its flagship product line with a collection of three natural scents available through its website. The three scents include Mint Disco on Ice (Mint, Lavender, and Glacial Waters), If Citrus Were a Feeling (grapefruit, lily, sandalwood), and Vanilla Buys a Timeshare in Paradise (pineapple, exotic coconut, and Tahitian vanilla). 

Jacobs said the company plans to expand their scent options in 2024, with ambitions of creating new products that will make one’s home a healthy environment. Marine said the diffuser was intricately designed so that each scent is not overwhelming in fragrance, has a sleek modern look, and remains clean and all-natural while in use with no synthetic chemicals. 

“This is the tip of the iceberg. We have three little scents, but there’s so much in the pipeline, and we’re really excited to continue to share this with you all,” said Duff.

For more information on Below 60°, as well as to purchase, visit below60.com

The post ‘Tip of the Iceberg’: Hilary Duff Launches Sleek, All-Natural Air Fragrance Product appeared first on Backstage Socal.

Actor, producer, and comedian Adam Sandler’s new coming-of-age animated musical comedy “Leo” premieres on Netflix tomorrow, Nov. 21. 

“I really do mean this, this movie’s one of the most memorable and favorite things I’ve ever had in my entire career,” said Sandler in a recent press conference interview moderated by Emmy-nominated voice artist and actress Carla Renata.

The musical comedy tells the story of jaded 74-year-old, Florida-living class pet lizard Leo (voiced by Adam Sandler) who realizes he is coming close to the end of his life. In an effort to get the most out of his final days, he plans an escape – but finds that his anxious elementary students need his help more than his need to cross off his bucket list. 

The film’s star-packed voices include various actors and comedians – Bill Burr, Jason Alexander, Cecily Strong, and Joy Koy are on the roster – as well as Sandler’s wife Jackie Sandler and his two daughters Sadie and Sunny Sandler. 

Sandler wrote, produced, directed and starred in the film alongside directors Robert Marianetti, Robert Smigel, and David Wachtenheim. All three directors and Sandler joined the Zoom interview on Nov. 17 to discuss the film in advance to the premiere. 

Some memorable quotes from the press conference interview:

Sandler (on his inspiration behind the film): I just connect really hard with this, going to school, being with your friends, having private concerns that you don’t let anyone else know and then finding somebody to say, “This is what’s making me upset or nervous or scared,” and having someone just kind of relax you and say, “All right, everyone feels that.  You’re not alone.  It’ll come and you just go with what you’re instinctually thinking of going with.” 

Smigel (who wrote the film’s score): They (the songs) were very influenced by Adam’s style of songwriting.  ‘Cause I have written songs all my life too, but Adam’s made these amazing albums, and he has this skill of, like, making it as long as it needs to be.  In his standup act, he does it now.  And so a lot of the songs sorta start, but they don’t overstay their welcome, I hope.  

Smigel (on how his sons also became voices behind the characters): My boys are not actors. They’re not even interested in it. They’re interested in the NBA 90 percent of the time.  But what they did was, we had to deliver scratch tracks, which are like temporary tracks for the animators. The early stages.  And I had subconsciously heard Ethan’s (Smigel’s son) voice as Anthony the Bully. And Roey’s (Smigel’s son) voice which is very sweet, kinda like Linus in Charlie Brown cartoons, as the sweet kid who has the drone. So I just used them, because they said if you use your kids, it’s free. So I was like, “Okay.” And then Adam heard it and he was like, “Keep them in the movie. They were great.” 

Wachtenheim (on the film being his and Marianetti’s first film as feature directors): Well, we have worked with Robert Smigel for many, many years on the Saturday Night Live cartoons, TV Funhouse. And so we developed a relationship with Robert Smigel. And then we were brought on to ‘Hotel Transylvania 2’ to work on it also, which is where we met Adam. And just kind of developed a relationship there. And Adam started to trust us and our sensibilities.  

Marianetti: I just want to say, like, when we got involved in this project, Adam was referring to us as “the fellas,” or “the kids,” or “the guys.” “Wait till you meet the kids.” Or “the fellas.”  And we finally met executives. In walk two middle-age guys. The look on everyone’s faces, you know? (laughs)

Sandler (on the film’s topic of children’s anxiety): We were all just so excited about the topic. The kids, what kids go through when they’re growing up. What the kinda painful moments they can go through, whether they keep it to themself or you can see it.  The premise of the movie was so exciting, to actually address that stuff. Address parents’ mistakes. Address, you know, an outlet for kids, what Leo becomes somewhere that they can actually talk and say what’s going on with them. And we knew that was real.  And we wanted to be thoughtful about that.  

Sandler (on the musical’s humor): We also are all people who believe in comedy and getting that as funny as you can make something. And when we slide that stuff in there, we don’t want to overstate anything. We just like to hit, run, and get to the next piece of information that hopefully we can make you laugh.

‘Leo’

Premiere: November 21, 2023

Directors: Robert Marianetti, Robert Smigel, David Wachtenheim

Producers: Adam Sandler, Mireille Soria

Executive Producers: Barry Bernardi, Allen Covert, Paul Sado

Writers: Robert Smigel, Adam Sandler, Paul Sado

Original Score by: Geoff Zanelli

Cast: Adam Sandler, Bill Burr, Cecily Strong, Jason Alexander, Sadie Sandler, Sunny Sandler, Rob Schneider, Jo Koy, Jackie Sandler, Heidi Gardner, Robert Smigel, Nick Swardson, Stephanie Hsu, Nicholas Turturro

To stream “Leo” on Netflix, visit: www.netflix.com/leo 

The post ‘Favorite things in my entire career’: Adam Sandler on new Netflix animated film ‘Leo’ appeared first on Backstage Socal.

“Live Actually Live,” a multimedia concert celebration produced by For The Record and The Wallis, will perform at Wallis Annenberg Center for the Performing Arts on Nov. 22 through Dec. 30. The production has received raving reviews during its previous runs starting in 2018, with its exceptional staging and state-of-the-art video design.

The star-studded lineup includes Grace Kinstler (American Idol season 19 finalist), Chris Mann (The Voice season 2 finalist); Emmy Award nominee for Disney’s High School Musical Drew Seeley; RIAA Gold® recording artist Rex Smith; two-time Emmy Award winner & four-time Grammy-nominated artist B. Slade; and Madison Taylor Baez (America’s Got Talent Season 17 Golden Buzzer winner; Showtime’s Let The Right One In). 

Also starring is recent star of Grease: Rise of the Pink Ladies, Cheyenne Isabel Wells, as Juliet/Mia. Wells shares the magic of “Love Actually Live” in a recent Backstage SoCal interview. 

How did you prepare for your role in “Love Actually”?

I honestly just watched the movie a couple of times and made sure to focus on the characters I was playing. It’s a fun movie so not a hard watch!

What aspects of the character did you find most challenging or intriguing?

The most challenging part about playing these roles is having to match physically what the characters are doing on the screen, let’s say above me or next to me. I can’t see them while I am reenacting, so, memorizing motions and timing of movements I think is the most challenging part. 

How did you establish chemistry with your fellow cast members, especially in moments with complex emotions?

Chemistry came pretty quickly with this cast! Everyone is so nice and helpful through everything; we definitely have a blast on and off stage.

Were there any specific inspirations or influences that shaped your portrayal of the character?

Honestly, not really. The characters I play are pretty straightforward. We have Juliet, the cute, fun bride and friend, and Mia, the sexy, sensual mistress. Definitely two different characters but fun to portray.

In what ways did you contribute to the development of your character?

I feel like I bring a little bit of Cheyenne out here and there. I am also in a lot of ensemble numbers as random people, so that’s when I get to bring myself out a bit. It’s the best time.

In what ways is the stage play different from the film? 

The stage show brings the amazing album from the film to the stage, but also features some new songs and arrangements from Jesse Vargas and Annmarie Milazzo. So, while watching the movie, we’ll take a little break and enjoy an amazing concert! Super fun! Familiar songs are always enjoyable.

How do you personally connect with the themes or messages conveyed in “Love Actually”?

I love… love. It’s an amazing feeling, isn’t it? So the message of the show is quite fitting.

What do you hope your audience will take from the live theatrical production of the beloved holiday film?

I hope people have the best time, especially if they love the film. You’re going to have so much fun watching our show. The cast is phenomenal; every single person will not disappoint. I think and hope people will leave loving the movie even more than they did before.

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‘Love Actually Live’

Where: The Wallis Annenberg Center for the Performing Arts, 9390 N Santa Monica Blvd, Beverly Hills

When: Nov. 22-Dec. 30

More info: https://thewallis.org/

The post Actress Cheyenne Isabel Wells shares the magic of ‘Love Actually Live’ appeared first on Backstage Socal.

Five hundred years later, the modern retelling of Henry VIII’s six wives has become a Broadway phenomenon, leaving its audiences with not only catchy pop tunes but a feeling of female empowerment. The musical is at Segerstrom Center for the Arts now through June 25. 

Starring as Queen Catherine Parr, actress Gabriela Carillo may look familiar to Orange County theatergoers – she has performed in several local productions, including “American Mariachi” at South Coast Repertory in 2019 and as Elsa at Disneyland’s “Frozen: Live at the Hyperion.”

Can you tell us about your journey into musical theater and how you discovered your passion for performing?

I first started in musical theatre like many kids, performing in school musicals! I think my first musical was in 3rd grade; I was in this very cute Lewis and Clark musical playing the role of Lewis and Clark’s dog, with a full fluffy white costume, entire comedic solo and all.

I certainly wasn’t one of the “cool kids” at school and struggled with getting bullied, but being up on that stage, I remember feeling incredibly safe, and incredibly funny! Even kids that hadn’t spoken to me all year suddenly started stopping me in the hallway to tell me how much they loved my performance and how much I made them laugh.

Aside from absolutely loving to sing, fearlessly stepping on a stage and watching how I could affect an audience became a really potent way for me to feel, harness and express my own internal power, even at a young age. After that, I saw a community theatre audition posting for “Annie”, which was always my favorite movie-musical growing up.

I didn’t have to ask twice for my parents to take me to the auditions; they’ve always been so supportive in me chasing what lights me up. My mom later told me that my dad was so worried about if a suburban Illinois theatre would even consider casting a Mexican-American girl to play Annie; would I get my heart broken? But surprise! I got the role!

My love for theatre went on from there. When I was 9 I had my first professional contract, performing at the American Girl Theatre in downtown Chicago, and really never stopped since!

What drew you to the role of Catherine Parr in the musical ‘Six?’ How do you relate to this character?

Without giving any juicy plot points away, Catherine is really an incredible catalyst for change and a symbol of progress and modernity within the show. She’s kind, empathetic, thoughtful, and really considerate of her effect on people.

She, as a writer, understands the power of words and the impact of what we sing about on a stage. She understands the transformative nature of watching a performance, which reminds me of what I felt as a child when I first started performing.

She’s really conscious of her own legacy and wants to make the “right” kind of change in the world. Within the fun, wild, and deliciously over-the-top context of SIX, she is a really grounded character which is such a blast to play, and it’s especially fun to explore her juxtaposition from the nature of most of the show.

Her character arc through the show demonstrates a lesson of how being “different” and following your own moral compass even when you might be met with criticism can really make an impact.

I relate to her certainly on that note of having a really strong moral GPS of sorts, like an intuition that I try to use to inform every word and action in my life. She’s also a writer, like me! I grew up writing fantasy novels for years as a child, and then moved into focusing on songwriting as a teenager and adult.

A lot of the jokes she makes and lines she sings are really clever and show her prowess as a wordsmith and I can appreciate that. Like me, she isn’t afraid to be different, isn’t afraid to look awkward at times, knows the impact of writing (or re-writing…) a story and knows without a doubt that there’s more to life than being perfect, pleasing everyone, and earning the love of a man. Hers are an incredibly empowering pair of LaDucas to step into.

How do you approach preparing for a role in a musical? What specific techniques or strategies do you use to get into character?

For a role like this when it’s based off a true historical figure, I began first and foremost with research: reading about Catherine’s life, reading her own writing, watching films about Tudor life and womanhood, etc.

It helps to first steep yourself in the world that the character is living in. Then, I really get to the heart of the character, and by that I mean, I cut away all the fat and look at what matters most to this person.

I think mannerisms and quirks and style and all the external elements come more naturally when you understand the core of the person. If the heart is there, that’s when a character is soulful, believable, alive and breathing.

A lot of the other stuff is found throughout the rehearsal process and just embodying the character actively. Acting is active, so I think once you know your lines and have done your research and all the behind-the-scenes preparation, the transformation happens in the doing.

Six has a unique concept, portraying the six wives of Henry VIII as modern-day pop stars. How do you bring a fresh and contemporary interpretation to your character while still honoring the historical context?

As I mentioned previously, I feel that because I’ve discovered what Catherine Parr’s heart looks and feels like to me when I play her, I don’t worry about losing her within a contemporary, poppy context.

That root is always there, and then I can really play and be flexible to embellish because the soul of her is still there, if that makes sense. Her humor is certainly modern, the costumes and makeup help me to carry myself in a more modern “popstar” way (note my awesome tight ‘leather’ pants) and I merge my own artistry with what’s written when it comes to the music and the scenework.

Because I came from a pop music education and career, it feels really natural to lock into the pop performance mode. It’s when Catherine really bares her heart and soul that I take extra care to ensure that is seen and felt.

The things she sings about feeling and experiencing aren’t exclusive to a certain time period, they’re evergreen human experiences, and that’s what really helps when considering playing a character or historical figure from another time.

It’s useful for me to remember that human emotion has been the same for as long as we’ve been around; everything external may have been different, but internally we have the same hearts.

The music in ‘Six’ is incredibly catchy and demands strong vocal abilities. How do you maintain your vocal health and technique throughout the run of the show?

This tour has been a great lesson in being so conscious of my vocal and overall physical health at all times. I know so much about my own body now and what it needs to operate at its best.

Warm-ups and cool-downs are so important both for the body and the voice. Also, sleep! And fueling your body well. The voice is a part of the body, and I’ve noticed that when you’re physically tired, sleep deprived, and even hungry, the body doesn’t have the strength to properly support the voice.

Singing really is a full-body experience so it’s mostly about being well-rested and being kind to my body. Also, avoiding talking in loud bars and restaurants at all times! I’ll go out with friends, but I’m the one pointing to my throat, shaking my head, and just silently dancing to whatever music is playing.

It’s wonderful that we have in-ear monitors to hear ourselves during the show, because that’s another huge factor to vocal health: avoiding over-singing. If you can’t hear yourself, just like trying to speak in a crowded bar, you’ll likely just be yelling.

I always make sure to be vocal (no pun intended) about asking for more sound in my in-ears so I can really hear myself well and don’t push my volume. And after all that, taking breaks when needed. Pushing through a night of really rough vocal fatigue can actually set you up for missing many shows, so sometimes a day off is what the voice needs. It’s always hard to make that call, but I’ve intentionally given up guilt about what I have to do to protect my instrument.

What is your favorite aspect of working on ‘Six?’ Is there a particular scene, song, or interaction with another character that you enjoy the most?

My favorite aspect of working on SIX is the way it reminds me of my own strength. This show has challenged and empowered me in so many ways throughout the entire process, and I’ve learned so much about my own capabilities, passion and resilience.

It feels wonderful to have a job where I am reminded just how strong I am every day. Aside from that, I love all the individual moments I have with each of the Queens on stage throughout the show.

Someone who particularly delights me every night with her ad libs and mannerisms is Olivia, who plays Anna of Cleves.

‘Six’ has become a global phenomenon with a dedicated fan base. How do you handle the pressure of meeting audience expectations and delivering a memorable performance each night?

What’s wonderful about this show is it’s really a team effort, both from those on and off the stage. I never feel like it’s up to me alone to deliver something memorable; I think the vessel of the show is already so wonderful, strong and inherently impactful that my job is to show up, give everything I’ve got that day, and do the vision of the show justice.

We are telling a story, and a really strong story at that, and that’s what I trust in first and foremost. I’ve really learned how to be kind to myself through this process and accept my humanity in a new way; every performance feels and is inherently different and I think that’s what most people love about live theatre.

I know that I always step onto the stage and give it everything I’ve got, and I can feel completely content and proud of myself knowing that. But truly, being in this show is about so much more than being an individual getting applause or laughs or trying to be impressive and adored.

(Sounds a lot like the message of the show, huh?) I always try to come back to the objective of telling the story.

What advice would you give to aspiring performers who dream of being in a musical like Six?

Dream really, really big… while also doing everything you possibly can do to be the most prepared for your dream job. That dream job opportunity will come, don’t doubt it! But respect your dreams enough to be prepared for them when they arrive.

Training is such an incredible opportunity to take advantage of when you have the means to. In no way am I suggesting you must have a musical theatre degree (I don’t have one!); truly any kind of workshop, Q&A session with someone you admire, 8-week acting training… whatever you can make happen!

I think there’s a lot of fantasy and razzle-dazzle surrounding the road to becoming a professional performer, as if the skills it takes and the opportunities are kind of just bestowed upon certain people 100% naturally.

Realistically, yes, some people have really spectacular raw talent, but being skillful is what I think creates sustainability in your work and your career. Through training, you’ll learn exactly how to maintain a certain level of excellence in what you do.

You’ll learn the foundations to come back to when you have that challenging dance call, the big belty note at the end of your 32 bar cut, the really tragic and emotional scene you have to read at 10 am in front of a table of strangers, etc.

I really leveled up as a performer when I stopped expecting myself to naturally “be” perfect. It’s the same mentality I have when it comes to studying and practicing foreign languages: accept when you’re at.

Put pride aside, reject where you think you “should” be at this point or another, and accept where you currently are. Only then can you see all the exciting opportunities for growth. And yes, growth is exciting!

Room for growth doesn’t mean you have something wrong with you. Things changed when I adopted that mindset. And just like with foreign language, a lot of your growth and success will come from getting out there “in the field” and doing the thing.

Even when it feels scary or new or intimidating or you’re afraid you look stupid. Suddenly, you’re speaking French! Suddenly, you’ve totally slayed an audition! Prepare, and then do the thing.

Finally, trust that you bring something so individual (one of a kind, no category!) to any room you walk into. Don’t waste your energy trying to fit into the molds of other people.

Whoever is behind the audition table may not know what exactly they’re looking for until they meet you. Trust in the natural magic of who you are.

SIX the musical

When: June 13-25, 2023

Where: Segerstrom Hall, 600 Town Center Drive, Costa Mesa, CA 92626

Call: (714) 556-2787

Online: SCFTA.org

The post Drop Dead Divas: Broadway’s ‘Six’ turns heads in Costa Mesa appeared first on Backstage Socal.

Performing through April 30, the Tony Award-winning pop-rock musical tells the story of 16-year-old Tracy Turnblad in 1960’s Baltimore as she sets out to dance her way onto TV’s most popular show.

The fun musical features the beloved score of hit songs including “Welcome to the 60’s,” “Good Morning Baltimore” and “You Can’t Stop the Beat.” Actress Niki Metcalf leads the show as Tracy Turnblad.

Can you tell us about your experience playing the role of Tracy Turnblad in Hairspray?

Playing Tracy Turnblad has been a dream of a lifetime! I grew up knowing I was meant to play Tracy Turnblad someday. I saw myself in Ricki Lake in the original John Waters movie, and in Marissa Janet Winokur and Nikki Blonsky in their Tracys. In sixth grade we had this talent show called a Lip Sync – where you would get in groups and the perform songs by lip syncing them.

I knew I wanted to perform when I grew up – so I actually sang “Good Morning Baltimore” live for my first audience. It was the first song I brought to my voice teacher, and now having it come full circle to be singing that song every night for audiences across America, it is such an honor. 

How did you prepare for your role in the production?

I feel like this role has always been a part of me. I grew up singing these songs, so I was pretty familiar with the material coming in, to say the least. I couldn’t have done it without the support of my family and my friends, believing in me and helping do the entire audition process virtually! It’s taken a lot of practice, training, and mostly believing in myself that I am capable and worthy of telling this story as this incredible character every night. 

What unique elements do you bring to the role of Tracy Turnblad? And what do you think makes her such a compelling character?

Since Tracy has always felt like a part of who I am, I feel like I bring a lot of myself to this role. I also like to say she’s a good mix between my little sister and me. My favorite thing about Tracy is her heart. From the beginning of the show, she celebrates herself as she is, and never is she trying to change herself to fit society’s standards.

We so rarely see a bigger girl in a show where she’s not just the funny best friend of the leading lady, or the butt of a joke. In Hairspray, Tracy is the lead who follows her dreams AND achieves them, gets the guy, all of it. It’s incredible, and I hope we see many more roles like Tracy Turnblad in the future or musicals and other media. 

What challenges did you face while performing in “Hairspray” and how did you overcome them?

The biggest challenge honestly that I’ve faced while performing Hairspray has really been myself. Trusting that I am enough to tell this story, and that I am making a positive difference by people watching me onstage. 

Watching the original Broadway production was the first time I could see “wow, that’s someone who looks like me, who feels confident in who she is, that doesn’t have to change these parts of herself to live her dream.” I want to do that, and create that feeling and that spark for that little girl, or boy, or anyone in the audience who comes to this show wondering if they can have their dream and stay true to themselves. 

Can you talk about your favorite moment or scene in the show and why it stood out to you?

You’ve given me the hardest question! I could pick a different moment or scene every single day. “I Can Hear the Bells” is such a dream of a number to get to do every night, and of course “Welcome to the 60s” and “You Can’t Stop the Beat,” where we can actually see audience members smiling and grooving along with us! 

How has performing in “Hairspray” impacted your career as a performer?

It has completely changed my life. One – it has connected me to such incredible performers, creators, and artists, and to be able to tell this important story across the country with them. It has challenged me and shown me that I am capable and deserving of following my dreams and achieving them, just like Tracy.  

I’ve struggled so much with who I am – trying so hard to fit into these boxes that I thought were the only way that I could belong. But I want to be a part of the change in theatre that shows that what you look like doesn’t automatically put you into some kind of box. I’m excited to see what my future has in store. 

How do you balance your personal life with your professional career as a performer?

I’m still learning every day. Especially on the road – where you’re away from your home comforts, it is SO important to balance personal life with work life. Yes we get to see so many amazing different places, but you have to know when you need to just take a day to rest and do nothing. And prioritizing your mental health just as much as your physical health is vital. 

‘Hairspray’

Where: Segerstrom Center for the Arts, Segerstrom Hall, 600 Town Center Drive, 
Costa Mesa

When: April 18 – 30, 2023

How much: Tickets start at $29

More info: https://www.scfta.org/events/2023/hairspray

The post Bubbly Broadway musical ‘Hairspray’ hits Orange County appeared first on Backstage Socal.

Talk about a dynamic duo: the award-winning Callaway sisters Liz and Ann Hampton Callaway have equally made their individual impacts on the Broadway and music world.

Each has an honored solo repertoire that is sure to have her audiences fighting the urge to sing along. Now the two will join forces for “Broadway the Calla-way!” at the Segerstrom Center for the Arts for three special cabaret shows, March 30-April 1. 

Singer-pianist-composer-lyricist-actress Ann Hampton is known for her Tony-nominated performance in “Swing!” on Broadway, as well for her unique musical style that blends jazz and traditional – highlighted in the theme song for the TV show “The Nanny,” which she both wrote and sang. She is also a Platinum Award-winning writer whose songs are featured on seven of Barbara Streisand’s albums. 

Liz is celebrated for voicing numerous roles in popular animated movies such as “Anastasia,” “The Swan Princess,” “Beauty and the Beast,” and “The Lion King II: Simba’s Pride,” amongst others. She also has a series of Broadway credits, including “The Three Musketeers,” “The Look of Love,” and most notably for playing Ellen in the original Broadway cast of “Miss Saigon.” 

The iconic sisters will together bring their stories, humor, and showtunes to the stage in a fun evening that honors their notable careers. 

You’ve both had successful careers as solo performers, as well as performing together as a duo. What do you enjoy most about performing together, and how does it differ from performing solo?

LIZ: Nothing makes me happier than singing with my sister!  Ann and I are so different, and yet when we sing together, something magical happens, our voices become one. Ann lives in Tucson, and I live in New York, and we don’t get to see each other that often, so performing together is a chance for us to be together. And laugh! 

Performing solo is also incredibly rewarding. I don’t know if Ann feels this way, but I get more nervous before a solo show than I do when I perform with Ann. In a solo show, it’s just you up there (hopefully remembering all your lyrics!) When I’m with Ann, I feel like we are a team. It’s not about “me” it’s about “us.” ANN: I feel the same way!

What inspired you both to pursue a career in music, and how did you get started? ANN: Liz and I didn’t realize until we were older that we were sort of the Von Trapp family of Chicago! With our mom, Shirley, who was a celebrated singer, pianist, and voice teacher, and our dad, John, who was a famous journalist and passionate music lover, we were blessed with what I like to call “designer genes.” We were lucky to go to a high school that had an extraordinary performing arts department, New Trier East in Winnetka, IL, where and we did several shows and concerts and got an excellent foundation in music and theater.  Then, when Liz and I were both disappointed in our colleges and decided to quit and move to NY to pursue our dreams, little did we know that I would land a singing job three days later and Liz would get cast in her first Broadway show that first year! The rest evolved beautifully with hard work, tireless dedication, and some good luck! 

Liz, you’ve performed in numerous Broadway shows, including “Miss Saigon,” “Cats,” and “Baby.” What has been your favorite role to play, and why?

LIZ: I’ve been very fortunate to have appeared in several wonderful Broadway shows, including Stephen Sondheim’s Merrily We Roll Along, Cats, and Miss Saigon. Still, my favorite role to play was Lizzie in “Baby.” It was my first big role on Broadway, and to play a character who went through nine months of pregnancy during the show was very rewarding, not to mention that I had incredible songs to sing. And getting a Tony Award nomination for my performance was the icing on the cake. In our show, “Broadway the Calla-way!” Ann and I will be singing our signature songs from our Tony-nominated performances in “Baby” (The Story Goes On) and “Swing” (Blues in the Night.)

Ann, you‘ve written and recorded your own music. What is your creative process like when it comes to writing and recording your own music, and how does it differ from performing songs that were written by someone else?

ANN: When I am writing a song for me, it is a very personal experience of trying to distill a moment, a realization, or a feeling and let people see the world through my eyes. I love delving into my heart and mind and making something new that connects my private world with everyone else’s.

I also write songs for other projects and artists.  Writing for Barbra Streisand is always an amazing experience involving great discipline and the willingness to rewrite for a woman who knows exactly what she wants. Writing the theme for the TV series “The Nanny” meant competing with the top writers in our country, so thank goodness I had the good sense to call Fran Drescher and interview her about what exactly she wanted the song to say. It takes huts to write a song that will really honor an artist or a project and you need to do whatever it takes to make it right. I love interpreting other people’s songs but nothing shares who I am quite as well as my own songwriting. I can’t wait to release my CD  of original songs called “Finding Beauty” this fall. It will feel like a musical memoir!

Are there any upcoming projects or performances that you’re particularly excited about?

LIZ: Something we are very excited about is that Ann and I both have new albums out! Ann’s is “Fever: A Peggy Lee Celebration!,” and mine is “To Steve With Love: Liz Callaway Celebrates Sondheim.” FYI, Ann and I will be singing several Sondheim songs in “Broadway the Calla-way!” this weekend!

Finally, what do you hope audiences take away from your performances, and what do you hope to achieve through your music? 

ANN: Well, this weekend, when Liz and I perform “Broadway the Calla-way!” I hope our audience feels uplifted, moved, delighted, and joyous from the love we share for these great songs, marvelous shows, wonderful people who traveled to be with us, and each other. Our acts feel like well-crafted love-fests. We work hard to make each song feel fresh, personal, and fully realized. We love how music can bring us all together and make a room full of strangers feel like a family. In a world of so much uncertainty, it is an honor for Liz and me to be singers and bring some beauty and truth to this time we are living in. 

Broadway The Calla-Way!

Thursday, March 30 at 7:30 PM

Friday, March 31 at 7:30 PM

Saturday, April 1 at 7:30 PM

Samueli Theater, 600 Town Center Drive, Costa Mesa

More info: SCFTA.org

The post Sister Act: Q&A with Broadway icons Liz and Ann Hampton Callaway appeared first on Backstage Socal.

The heartfelt comedic touring production will have a two-week run at Segerstrom Center for the Arts on March 7-19. Adapted from the hit 2004 movie, “Mean Girls” was nominated for 12 Tony Awards and 10 Drama Desk Awards.

Direct from Broadway, the musical that expresses the extreme challenges one faces to “fit in” has a powerhouse creative team that includes its screenplay writer Tina Fey (“30 Rock”), Jeff Richmond (“Unbreakable Kimmy Schmidt”), Nell Benjamin (“Legally Blonde”), and Casey Nicholaw (“The Book of Mormon”).

Starring as the new kid in school Cady Heron, actress English Bernhardt is thrilled to lead the musical in Orange County.

What inspired you to pursue Broadway? 

I grew up in a very musical house – there was always music playing, everyone in my family loves to sing and my dad and brother play the piano, so I was always surrounded by it. Then growing up, I started taking ballet and various dance classes and my parents decided to throw me in a musical theatre class at the North Carolina Theatre Conservatory. Once I was singing and dancing at the same time and performed in my first musical (the Music Man), I was bit by the bug and have been hooked ever since.

What does it mean to you to perform as the lead role Cady Heron? 

It’s very much a dream and an honor to play Cady Heron. To get to lead this fantastic show and company is something I will never take for granted. Having watched the phenomenal actresses who have played the role before me, to now getting to find my own version is really so special. Cady is a character full of heart and hope and adventure and it’s a privilege to get to walk in her socks and sandals every night! 

How do you approach portraying a character that has already been established in popular culture?

I think there is something to be said for honoring the brilliance of the role that Lindsay Lohan created and so many fans adore, so I still try to tap into those moments we all love and resonate with in Cady from the movie, while also bringing myself and my own high school experiences to make it that much more personal.

I saw that you have also performed in the role of Regina George — do you feel like you are more of a Cady or a Regina?

Oh gosh, I want to say overall I’m much more of a Cady but we all have our Regina moments…especially in the mornings before my coffee kicks in! 

What makes this Broadway production unique in comparison to the film? 

Our show really brings this story to life by incorporating musical numbers that give the characters more depth and backstory. The production features a fantastic ensemble that really electrifies each number and we have an LED/video wall that really captures our culture today with social media and all that it brings – both good and bad. I think the writers and creative team did a fantastic job of maintaining the story at heart, incorporating all of the iconic one-liners from the movie, but also adding songs and dancing that will transport you back to your own high school days and leave you humming all the way. 

Are there any other Broadway productions that you would love to be a part of in the future?

Absolutely! I would love to be in Hadestown, Dear Evan Hansen, Wicked…to name a few! 

‘Mean Girls’

March 7 – 19, 2023
Segerstrom Hall, 600 Town Center Drive, Costa Mesa

For more info: scfta.org

The post ‘Teen Royalty’: Lead actress chats Broadway’s ‘Mean Girls’ before Costa Mesa run appeared first on Backstage Socal.