Nearly five decades after Silk Degrees made him a household name, Boz Scaggs is still finding new ways to keep the groove alive. 

The Grammy-winning singer, songwriter and guitarist will bring his Rhythm Review tour to Segerstrom Hall in Costa Mesa on Oct. 24, promising a night of classic hits and fresh takes on the songs that defined an era.

A former bandmate of Steve Miller, Scaggs helped shape the sound of the 1970s with a blend of rock, soul and blues that produced enduring tracks like “Lido Shuffle” and “Lowdown.” 

His influence stretched beyond his own career, paving the way for future acts including Toto. Fans can expect both the nostalgia of his signature songs and the artistry of the musicians who share the stage with him.

From jamming with legends to reliving the magic of Silk Degrees, Scaggs gave the lowdown (pun intended) before his Segerstrom concert.

Your album Silk Degrees is still a touchstone nearly 50 years later. If you could go back to the sessions for that record, what’s one moment you’d relive?

Scaggs: The first evening David Paich and I got together to write a song. It turned out to be “Lowdown” and started a chain of events.

You’ve collaborated with so many legendary names. Who surprised you the most in the studio with their creativity?

Scaggs: Marcus Miller in the making of the album “Other Roads”. He was just getting into synth work and we could see his genius as a creator vividly unfolding in arrangements and as a pure musician.

How has the meaning of a song like “Lowdown” or “We’re All Alone” changed for you personally over time?

Scaggs: Great question. It can be said that in the creative process, the subconscious  is at work sometimes more than one might imagine, and that as time and life unfold the imagery can be seen as prophetic and more personal than we might imagine. “Lowdown” was revelatory for me. “We’re All Alone” was to become something of a wonder as a the years of performing it rolled out. I love some of the imagery it presented and the way it affected some listeners. I didn’t see it when I composed it.

If you could invite three artists from any era to join you on stage for the perfect jam session, who would they be and why? 

Scaggs: Oh lord! This is a tough one. That’s a question I might have jumped on at a younger age when I was a more adventuresome guitarist. Now I’d have to say my interactive music is with my friend, Seth Asarnow, the pianist I collaborated with making my current album, “Detour” in which we pull a song out of the air and see what happens.

When fans come to see Rhythm Review, what do you hope they take away from the night beyond just hearing the hits? 

Scaggs: The brilliant musicians who give me the wide ranging repertoire we’ll be performing.

“Lido Shuffle” and “Lowdown” get crowds on their feet every time. Do you still get the same energy rush performing them as you did in the ’70s? 

Scaggs: It’s different each time we play it.  They’re good songs in that respect. There’s room to feel our way through its parts and get a buzz with each unique setting and audience.

When people look back on your music years from now, what do you hope they feel when they hear your songs?

Scaggs: I get, you know, a thrill when I hear and connect to a song or an artist I dig. It can be transcendent. And I know that thing they hit on, really moves them as well. So it’s a great feeling when you hit on something that moves you, and even better when you can reproduce it, and even better when you can pass that on to others. 

Boz Scaggs Rhythm Review

WHERE: Segerstrom Concert Hall, Segerstrom Center for the Arts, 600 Town Center Dr, Costa Mesa, CA 92626

WHEN: 8 p.m. Friday, Oct. 24

MORE INFO: https://www.scfta.org/events/2025/boz-scaggs

The post Still Shufflin’: Boz Scaggs Talks Hits, Jams and Staying Timeless appeared first on Backstage Socal.

Twenty-five years ago, a scrappy, emotionally raw band out of Utah lit a fire in the post-hardcore world—and it never went out. Now, The Used are celebrating their milestone 25th anniversary in a way that’s as loud, personal, and unapologetically creative as ever.

This week, the beloved four-piece returns to Los Angeles to play three nights at The Wiltern—May 8, 10, and 11—performing their first three albums in full: The Used (2002), In Love and Death (2004), and Lies for the Liars (2007). 

These aren’t just concerts—they’re immersive fan experiences. Each night is a nostalgic, high-energy deep dive into the songs that defined a generation of emo and alternative rock fans, from the anthemic cries of “Taste of Ink” to the haunting melodies of “All That I’ve Got.”

To mark the occasion, the band has also released limited edition vinyls with reimagined cover art by renowned artists including Alex Pardee, Craola, and Cam Rackam—visual reinterpretations that breathe new life into three albums already etched into the hearts of so many fans. Explore the Reimagined Artwork →

But The Used aren’t stopping at the stage.

On May 9, between shows, the band is hosting a free one-day-only art show and pop-up experience at Secret Walls in LA (12pm–8pm). Open to all fans, the event will showcase the reimagined album artwork in gallery form, rare memorabilia from the band’s two-decade journey, exclusive merch, and a completely free signing and meet-and-greet. 

As founder and bassist Jeph Howard reflects in our conversation, this 25-year legacy isn’t just about music—it’s about connection, evolution, and staying true to who you are. Read on for a candid look into the band’s past, present, and future.

Q: You’ve said this band has become something bigger than yourselves. What do you think The Used means to fans today versus circa 2002?

Jeph:
I feel like in the band, we’ve had ups and downs, and we’ve had member changes, but our core being has always done the same thing. We’re just a bunch of friends, you know? God, I’ve known Bert for 30 years, probably, you know what I mean?

And we have friends that come out to shows—like, we just played Salt Lake. I wasn’t born there, but technically that’s where the band started. That’s where everyone else was born. The band itself is from there. And so, going back and seeing all the people we grew up with—and they’re all doing awesome stuff too—but having them come out… we had old techs come out too that are lifelong friends, that live in Salt Lake, that got to just be part of our family again.

And that’s kind of what I’m getting at: when we tour, we tour as a family. So everybody in the crew, everybody in the band, everybody that’s out there with us is part of this family. Each person we rely on equally. Our merch guy is just as important as our lighting guy, who’s just as important as our sound guy or tour manager or stage manager—every single person is important and part of the family. They all do their job to make the show what it is.

We try to bring that vibe through with our fans too. The same kind of thing—like, we care. We’re not just playing these shows because we’re trying to get rich or something stupid—because, you know, that’s never gonna happen. We’re doing it because we actually care, and we actually want to play shows, and we actually like sharing and being a family unit.

Q: There’s this new wave of emo pop-punk resurgence happening, but The Used never really left the scene. What are your thoughts on this new wave of the genre? 

Jeph:
Yeah, it’s cool. It’s okay to pass the torch, but it’s also okay to help out bands that are trying to get somewhere—trying to change and bring something new.

Being in The Used, we never really set out to be the biggest band in the world. We just set out to do something and inspire, and be different, and bring change—however that is. And that’s still what we’re doing. We haven’t stopped. We’re still touring. Currently on tour still. It’s been 25 years, and we don’t really have any way of slowing down or stopping.

And like you were saying, there are a bunch of new bands that are coming up that are trying it. And there’s room, you know? I don’t know why everyone gets so scared about it. There’s room for everyone to win. We can all win. We can all help each other up, and we can all stand up and be a part of something. There’s nothing to be scared or jealous about.

Sure, some bands come out of nowhere and get really big. And some bands are incredible and they don’t get big. It’s all part of the whole. But like I said, there’s room for everyone to win, as long as we help each other.

Q: Is there a track that hits differently now for you than it did over 20 years ago—lyrically or sonically?

Jeph:
I mean, this whole year we’re playing these three records back-to-back, three nights in a row. And it’s cool to revisit because we did it before in 2015 or 2016 or something, and it was incredible then. But now we’ve added Lies for the Liars, so it’s a pre-record one. What’s so cool about this is, it’s an experience.

Each night we play has a little different vibe. Plus, there’s a video that plays that brings that nostalgia. There’s some other stuff going on on stage—I don’t want to ruin too much. You could probably see it online if you really wanted to. But yeah, there’s some fun stuff. It’s definitely a vibe for each show.

What’s really cool about it, like you said—sonically and lyrically—it’s cool to revisit all these songs again. Some songs we don’t ever get to play because of how touring works. You don’t get that much time, and everyone wants to hear their favorite song. So we try to play as many favorites as we can, but we miss out on some songs.

For me personally, a song that’s always been a top favorite from the first three records is Pieces Mended. It’s always been up there. Musically, the way that song is sewn together is very interesting—and very fun for me.

Also, we’re playing a song that—depending on how you heard Lies for the Liars—you may or may not know. It was a B-side. If you bought the album on iTunes back in the day, it came with it. But if you didn’t, it’s not even on Spotify. That’s how deep of a B-side it is. You have to find it through, I think, a B-sides record. I’m pretty sure it was on that—or somewhere else.

But the song’s called Pain. We used to play it live a lot too, actually, which is funny. But we’ve brought it back, and it’s been so much fun for me to revisit.

Q: What’s it like revisiting your early songs on this tour?

Jeph:
What’s really cool about it is, sonically and lyrically, it’s fun to revisit all these songs again. Some of them we never get to play because of how touring works—you don’t get that much time, and everyone wants to hear their favorite song. So we try to play as many favorites as we can, but we miss out on some.

For me personally, a song that’s always been a top favorite from the first three records is Pieces Mended. The way that song is sewn together is really interesting and fun for me to play.

We’re also playing a B-side from Lies for the Liars called Pain. Depending on how you heard that record—if you bought it on iTunes back in the day, it came with it—but if you didn’t, it’s not even on Spotify. You have to find it through a B-sides release. We used to play it live a lot, which is funny, but now we’re bringing it back, and it’s been so much fun to revisit.

Q: If 2002 Jeph could time travel to these shows now, what do you think he’d say?

Jeph:
So, me talking to my old self? I’d slap myself a couple of times and tell myself to stop stressing. I’ve battled anxiety my whole life. I’m kind of an introvert. I’m talking more now because I’ve overcome a lot, but I’ve always been that way. I’m an only child—I used to just hide out.

Touring, living on a bus, and suddenly having “brothers” really helped me on that journey. The old me was a lot more afraid—not of anything scary—just regular life.

Q: What’s the one feeling that still hasn’t changed when you walk on stage?

Jeph:
“Don’t f— up.” [Laughs] We all feel that. The first five minutes are the most intense because they set the tone for the entire show.

We mess around on stage a lot. We have microphones that only we can hear, so we joke around, tease each other, and if someone messes up, we laugh about it. The minor mess-ups stick with us, but only the big ones are really noticeable.

But those first five minutes—if something major goes wrong, it can get in your head, which is the worst. I’ve learned that it’s like riding a bike: if you focus too much on little stuff, you crash. I need to take a breath, get my head in the game, and then the rest of the show is smooth.

Q: That’s amazing. After 25 years, you still get butterflies?

Jeph:
Oh yeah, those never go away. And sometimes they’re good to have. But after those first five minutes, it becomes a hangout. The nerves go away, and it’s just fun.

Q: I saw a comment on your Instagram—someone said they just discovered one of your songs for the first time. That’s got to be wild.

Jeph:
Yeah, I wonder what song it was. It’s really interesting, though. At our shows, you can definitely see multiple generations in the crowd. We’re lucky that we connect on so many levels through different experiences.

Q: So this tour is for the day-one fans and the newbies. What’s your favorite way to spot a longtime fan in the crowd?

Jeph:
Honestly, the Lies for the Liars shows. You can spot the old-school fans that come for the first record. Then there’s that second wave of fans who come for the second record. Some fans overlap, but Lies has more deep cuts. Only The Bird and the Worm was really big on the radio, so the rest of that album connects more with second- or third-wave fans.

But my favorite are the fans who know our record Artwork. That’s one of my favorite Used records. It got leaked six or seven months early, so the label didn’t push it—we didn’t get radio play. So it’s kind of underground. But it’s definitely my favorite.

Q: Let’s talk about the reimagined art show. How did that idea come about?

Jeph:
We wanted to do something really special, especially in what kind of feels like a second hometown. I lived in California for around ten years, and Burt did too. I still live here. Some of the artists live here as well.

Alex Pardee, Cam Rackam, and Craola—all the artists who reimagined the first three albums—they’re all coming in. They’ve set up a full art show with pieces based on the albums, and even some items that were part of those eras. I’m trying to be vague because I don’t know exactly what they’re using—I haven’t seen the final setup yet—but I know what they pulled from our storage unit, so I’m excited to see it.

Q: Can you share one item you’re excited for fans to see?

Jeph:
I don’t know exactly what they’re using, but I gave them some masks from Lies for the Liars. The person on the album cover? That’s a real person wearing one of those masks. All the characters in the booklet are real physical masks—they’re expensive, from this horror prop company. One of them is actually in the Punk Rock Museum in Vegas.

I also gave Cam all the laminates from every single Used show we’ve ever played. And I had a hat from The Taste of Ink music video—I gave them that too. I used to have the jacket from All That I’ve Got, but I lost it. I was holding on to it, and it just disappeared. That would’ve been great to have.

Q: Isn’t it crazy that those items are now part of music history?

Jeph:
It’s wild. Twenty-five years is a long time to do anything. But we’ve just kept our heads down and pushed forward. It’s been a really fun ride, and I’m excited about what’s next.

Q: What do you want fans to know about the shows, the tour, or the art exhibit?

Jeph:
I know some people just want to see one or two records, but honestly, this is one big show split into three days. Seeing it all together is the full experience. If you’re a big Used fan, it’s worth coming to all three. I know life happens, and tickets can be expensive, but if you can swing it, it’s worth it.

Just know that we appreciate every single fan. We appreciate the vibe, the energy, the support. We love meeting people. That’s why we do meet and greets almost every day. We care—a lot.

____________________________________________________________

For more info, visit: https://theused.net/

The post 25 Years of The Used: A Conversation with Jeph Howard appeared first on Backstage Socal.

The Academy of Country Music Awards will celebrate six decades of country hits with a high-energy night of superstar performances and once-in-a-lifetime collaborations. The milestone show will stream live exclusively on Prime Video and the Amazon Music channel on Twitch on Thursday, May 8, at 8 p.m. EDT / 7 p.m. CDT / 5 p.m. PDT from the Ford Center at The Star in Frisco, Texas.

Sixteen-time ACM Award winner Reba McEntire returns as host of the milestone celebration, which opens with a showstopping, 12-minute “Songs of the Decades” medley. The performance will feature ACM Song of the Year winners from the past 60 years, brought to life by a star-studded lineup including Clint Black, Dan + Shay, Wynonna Judd, LeAnn Rimes, Sugarland and McEntire herself.

The 60th ACM Awards will also feature can’t-miss collaborations from some of music’s most iconic voices, including:

• Backstreet Boys and Rascal Flatts
• Brooks & Dunn and Cody Johnson
• Jelly Roll and Shaboozey
• Megan Moroney, the 2024 ACM New Female Artist of the Year

Previously announced performers include Alan Jackson, Chris Stapleton, Blake Shelton, Kelsea Ballerini, Lainey Wilson, Miranda Lambert, and New Artist of the Year winners Ella Langley and Zach Top.

Produced by Dick Clark Productions, the Emmy-nominated awards show promises a nonstop celebration filled with exclusive performances, genre-crossing pairings and surprises from country’s past, present and future.

The ACM Awards made history in 2022 as the first major awards show to exclusively livestream. A limited number of tickets to the 60th anniversary event are available through SeatGeek.

Executive producers for the show include Raj Kapoor, Patrick Menton, Damon Whiteside, Jay Penske, Barry Adelman, and consulting producer John Saade for Amazon MGM Studios.

The 60th ACM Awards are presented by Carnival Cruise Line, with additional support from Realtor.com, Boot Barn, Mountain Valley Spring Water, and dozens of national sponsors.

Fans can follow along with the conversation using #ACMawards and sign up for updates via the ACM A-List at ACMcountry.com.

The post Reba McEntire to Host 60th ACM Awards Featuring Star-Studded Duets and Decades-Spanning Tribute appeared first on Backstage Socal.

The Orange County-based vocalist — also a licensed jet pilot, psychologist, best-selling author and arts advocate — collaborated with seven-time Grammy-nominated arranger Chris Walden to produce the lush, orchestral album recorded at Hollywood’s legendary EastWest Studios.

Whitmore said the inspiration for the project stemmed from both data and devotion.

“I noticed that on Spotify and Apple Music my highest streaming numbers were for romantic, love songs,” she said. “So it was inevitable that the next album would be devoted to this genre.”

Choosing the final tracklist, however, took time.

“We went through at least a hundred songs before we settled on the song list for this one,” she said.

The album opens with “A Time For Love,” a sweeping ballad originally featured in the 1966 film An American Dream. Released as a single on Valentine’s Day, the song was Whitmore’s personal choice to introduce the record.

“I fell in love with this song when I heard it on the soundtrack from an old movie,” she said. “The lyrics celebrate the exhilaration of new love, but listen carefully and you’ll also hear heartfelt reminiscences of lost loves from days gone by.”

Working alongside Walden, whose past collaborators include Paul McCartney and Barbra Streisand, was a highlight of the creative process.

“What a joy it is to work with Chris,” Whitmore said. “He writes the most gorgeous arrangements and orchestrations. He conducts the orchestra, and he is exceptionally kind and considerate. He knows everything about the music business.”

The album includes timeless standards by Cole Porter, George and Ira Gershwin, Irving Berlin and more — a musical canon Whitmore has been connected to since childhood.

“My grandfather played first violin on the soundtrack of The Wizard of Oz and spent 20 years at MGM,” she said. “When other kids were watching cartoons on Saturday mornings, I was watching old Judy Garland movies. By the time I was 10, I knew the words to all the songs she used to sing.”

Though she didn’t pursue a full-time singing career until 2014, Whitmore says the dream had been waiting in the wings for decades.

“I had wanted a singing career when I was very young, but family responsibilities got in the way,” she said. “I’m so grateful that after so many career changes, at last I’m doing what I always dreamed of. With perseverance and stamina, fairy tales can come true.”

A longtime supporter of the arts, Whitmore serves on the boards of the Pacific Symphony, Pacific Jazz Orchestra, and BackhausDance. She’s also a supporter of Pasadena Playhouse. Her experience behind the scenes informs her appreciation for the stage.

“Having worked behind the scenes, I understand it takes many people to create an evening of entertainment,” she said. “Whenever I perform, I always take the time to thank everyone.”

As for what she hopes listeners feel when they press play?

“These songs were written between World War I, the Great Depression, and the end of World War II. Our great American composers understood that in hard times, people need music that can inspire, uplift, motivate and comfort them,” she said. “That’s what I hope this album does.”

Let’s Fall In Love is available on all major streaming platforms.

The post From Jet Pilot to Jazz Vocalist: Judy Whitmore Soars with New Album ‘Let’s Fall In Love’ appeared first on Backstage Socal.

With a voice as warm and rich as a crackling fire, Grammy-winning vocalist Joss Stone is set to light up the season as she joins the Pacific Symphony Pops for a festive celebration on Dec. 20 and 21.

The concerts, conducted by Principal Pops Conductor Enrico Lopez-Yáñez, will feature selections from Stone’s holiday album, Merry Christmas, Love, alongside seasonal classics and her signature hits.

The concerts will take place at the Renée and Henry Segerstrom Concert Hall in Costa Mesa, featuring the orchestra’s collaboration with Pacific Chorale. From timeless carols to reimagined holiday favorites, the evening promises to capture the magic of the season.

Stone, widely regarded as one of the finest voices of her generation, first gained fame at 16 with her debut album, The Soul Sessions, which showcased her deep connection to soul and R&B. 

Since then, she has released nine studio albums, sold more than 15 million copies worldwide, and collaborated with music legends like Stevie Wonder, Mick Jagger, and James Brown. 

Known for her dynamic live performances and powerful vocals, Stone’s music blends heartfelt emotion with an undeniable warmth—qualities that make her an ideal performer for the holidays.

Following her anticipated performances, Stone took time to discuss her career, her creative process, and the magic of holiday music. Here’s what she had to say in a candid Q&A:

The Soul Sessions introduced you as a 16-year-old powerhouse. When you revisit those songs now, do they feel different to you after two decades of life and music?

Joss Stone: They do, I think they have felt different throughout my life. When I first came across those songs I was really in a different space. I had so much life to live in front of me and I also feel like I was more emotional than I am now.

I’m more balanced now, and I remember people saying to me “how can you sing these songs? How can you feel these emotions when you’re only 16?” I remember being completely irritated by that question because I was so emotional and I was feeling it so deeply. I was a hormonal teenager and I was on the edge of tears pretty much all the time. Now I sing the song, and I have more life experience and have experienced love, a lack of love, angst, and so many different emotions.

But I’m way more balanced and more jaded now than I was at 16. Then, it was really fresh and really raw and everything felt so extreme to me, whereas now, it’s not. Now, I go into the moment where I’m singing the songs and then I come right back out and I’m fine. It’s a completely different relationship with those songs now, I have more control.

How do you make the holiday classics uniquely “Joss Stone” while keeping their essence intact?

JS: I think to sing the song, respect the song, respect the melody, respect the lyrics, respect where it came from and how traditional and beautiful it is, and do not mess with it. I have no interest in ad-libbing a Christmas song so much that it loses its melody.

A great song is a great song. I try my very best to get out of the way and just become part of it. I’m lucky to become a part of it so I shouldn’t ruin it at the same time. It’s a very important thing to me.

How does it feel to perform holiday classics with a full orchestra and the Pacific Chorale?

JS: I’m very excited about that because it’s not something that I get to do often. The feeling of having every single person up there playing together as a unit, it’s absolutely magic the way that music can do that.

Not only are they feeling something in one movement, but we are able to give that feeling to the audience. I honestly think that if we experience true magic in life, music is that, and an orchestra turns it up.

Recording Merry Christmas, Love must have been a special experience. What’s your all-time favorite Christmas song, and does it make it into the setlist for these performances?

JS: My all-time favorite Christmas song is hard to choose. It was amazing recording the Christmas record, especially since I was pregnant with my son, Shack. So that made it obviously hard to sing, but it was magical that I was having a boy and it was Christmas time.

I was sort of making jokes to the musicians that I was gonna call him Jesus. Of course I wasn’t, but it was very Christmasy and had very wholesome family vibes to have that moment with him and was very special. One of my favorite Christmas songs is not one I am going to sing at the show, but it’s called “Fairytale of New York” by The Pogues. I think that’s wonderful.

I also love the Stevie Wonder track that we covered, “What Christmas Means To Me.” That is a great tune and really fun. “In The Bleak Midwinter” is also one of my favorites. It’s very somber and beautiful.

I’ve known that song since I was very young and I tell a little story about it in the show. It’s just stunning, and there’s a lot of beautiful Christmas songs out there. “Silent Night” is also a classic. I sing “Silent Night” to my kids to help them go to sleep and it’s a beautiful song as well.

Looking back at The Soul Sessions and now at 20 Years of Soul, how would you describe your evolution as an artist over the years?

JS: I think I just got to know my craft and have explored a lot of different sounds from across the world. I’ve come to realize that there’s so much out there, and the connection that music provides for people is way bigger than just one certain style and one certain sound.

I have definitely really enjoyed the whole whole journey and I think it’s been interesting. When I began, I was very focused and one track minded. I liked soul music and only soul music when I was younger, and did not mess with anything else really.

I was just like soul music, soul music, soul music, do not give me anything else. Now, I feel like there’s so much more, and soul is in every style. If you mean it, it’s present. And I love that.

Have you ever connected with fans or communities during your charitable efforts with the Joss Stone Foundation in a way that profoundly impacted your music?

JS: Yes, absolutely. With the Joss Stone Foundation, we try to do lots of charity efforts throughout the year. When I did my world tour, we visited every country in the world and had three jobs.

Job number one was to play the gig, job number two was to visit a charity, and job number three was to make a musical collaboration. When I visited the charities, I felt very confident that I met the kindest people that walked this planet.

That definitely inspires not just music, but who you are, how you think, how you talk, your opinions, how open-minded you are, and how much grace you give people. It inspires you as a whole. When that happens, of course your music is gonna change, and of course your lyrics are going to change because that’s who you are. And when you’re writing the song, you’re going to put your opinion in it.

So it’s kind of obvious how that domino effect works. When you really start to think about it, it makes total sense that it would affect a lyric that you write and if it didn’t, you’d have to be walking around with a blindfold on.

You’ve seamlessly explored soul, reggae, pop, and now Christmas classics. What’s a genre you haven’t yet tackled but would love to dive into someday?

JS: I don’t know if there is one now. I’m sure there’s one, but if there is I’m unaware of it. With the amount of collaborations that I did around the world, I’m sure there is a genre that I’m unaware of. I have touched on every genre I know so far.

When I say I’ve touched on, it just means I’ve sang on one of those tunes. Even throat singing in Mongolia. It’s so interesting, now that I’m thinking about it, I haven’t done heavy metal. I think that’s probably the only genre I haven’t done.

As far as properly exploring genres, there’s loads that I haven’t really truly explored and have only touched upon. I’ll try anything.

Your recent anniversary tour celebrates your career and your fans. How do you hope your music has impacted their lives over the years?

JS: It was so nice doing that tour because I realized, as I was going through the songs and talking to the audience, just how much we have been through together. My fans are not just people that like my music who are separate from me. These fans are almost like family, even if I don’t know them.

Some of them I really do know and I’ve seen them and spoken to them since I was a little girl. That’s a small chunk of them, but then the people that I haven’t had a chance to talk to they’ve been at my shows and we have sort of collaborated together over the years. Especially now with social media, I actually get to truly collaborate with the fans.

The fans have made the artwork for the album, and there was a fan that made the artwork for my last single “Loving You.” There was a record that I did that was a remix album that was also made by the fans, so it’s a real true collaboration and we have been through so much. The fact that I started when I was 16 and now I’m 37, it has also been 20 years for them too.

My fans have been with me mostly since the beginning, or at least 10 years, so we’ve gone through so much in that time. When I talk about relationships that have worked out or haven’t worked out and having children, they’re all they were there.

It’s like having parallel lives and we have walked together. I didn’t actually know or foresee that, and I only really noticed it when I did the 20 year celebration. That’s when I noticed that we are not alone. I do not feel alone when I’m playing life and I feel like I’m with my people.

Joss Stone with Pacific Symphony Pops

When: Dec. 20-21, 2024
Where: Renée and Henry Segerstrom Concert Hall, Costa Mesa, Calif.
Tickets: $50-$193
Website: www.PacificSymphony.org

The post A Conversation with Joss Stone: Holiday Spirit, Soulful Music, and Life in Harmony appeared first on Backstage Socal.

Iration, the acclaimed reggae band known for their breezy, feel-good vibes, has hit the road with their latest tour, “Daytrippin in Paradise.” As part of their tour, the band will grace the stage of the OC Fair’s Pacific Amphitheatre for two nights on August 23-24. 

Fans can expect a fusion of the Hawaiian-born and Santa Barbara-bred band’s old favorites and new tracks from their 2023 album “Daytrippin,” enveloped in the warm, vibrant energy that only Iration can deliver. Hawaiian reggae group Pepper will return to the stage with Iration as both night’s opener. 

But the music isn’t the only thing fans are raving about. Iration has partnered with Autumn Brands, a renowned cannabis farm from Santa Barbara. This collaboration brings a unique twist to the tour, as Iration has hand-picked their favorite cannabis strains from Autumn Brands’ clean, spray-free family farm.

“We feel that cannabis and music go hand in hand and reggae and cannabis have an undeniable synergy that’s been enjoyed for generations. Reggae’s soulful rhythms and chill vibes help to elevate and enhance your cannabis experience.  And for Rasafarians cannabis holds a sacred significance and way of life,” said Autumn Shelton, Chief Financial Officer and Partner and Co-Founder at Autumn Brands.

Autumn Brands is celebrated for being a woman-owned product with a commitment to sustainability and producing high-quality, spray-free cannabis. Their dedication to clean farming practices ensures that each strain is pure, potent, and environmentally friendly. This alignment with Iration’s laid-back, eco-conscious vibe makes the collaboration a natural fit.

The curated strains include “Lemon Time Bomb” (hybrid), “Summer Nights” (indica), and “Daytrippin” (sativa)—each named after some of Iration’s classic hits and their new album. These selections offer a unique way for fans to connect with the band’s music on a deeper level, experiencing the essence of their songs through carefully chosen strains.

• Lemon Time Bomb (Hybrid): This strain perfectly balances the uplifting effects of a sativa with the relaxing qualities of an indica. It’s ideal for those looking to enjoy the concert with a mellow yet euphoric high.
• Summer Nights (Indica): True to its name, this strain is perfect for winding down after an energetic performance. Its soothing effects make it a great choice for a tranquil night under the stars, reminiscing about the evening’s tunes.
• Daytrippin (Sativa): For those who want to keep the vibes high and spirits soaring, this strain offers an invigorating boost. It’s the perfect companion for dancing along to Iration’s upbeat rhythms and getting lost in the music.

“We hope to continue bringing quality products and tunes to our fans alike.  We feel the synergy between us goes beyond music and cultivation; as both parties are dedicated to promoting a healthy lifestyle and contributing to the well-being of their beloved Santa Barbara community—a place we proudly call home,” said Shelton.

The partnership with Autumn Brands underscores Iration’s commitment to quality and sustainability. By choosing a farm known for its clean cannabis and eco-friendly practices, the band not only enhances the concert experience but also promotes a message of conscious consumption and environmental stewardship. 

Long-time fans and those new to Iration’s music will enjoy the “Daytrippin in Paradise” tour, with a multi-sensory adventure that celebrates the band’s roots and their progressive partnership with Autumn Brands.

Iration’s founder and singer-songwriter-guitarist Micah Pueschel, born and raised on the Big Island, chatted with Backstage SoCal to discuss the “Daytrippin” tour, the latest single “Obvious (No Doubt)”, the latest collaboration with Autumn Brands, future collaborations, and who inspired their hit song “Time Bomb” back in 2010. 

___________________________________________________________________

Iration – w. special guests Pepper, DENM, and Artikal Sound System

When: Aug. 23-24

Where: OC Fair & Event Center – Pacific Amphitheatre, 100 Fair Drive, Costa Mesa

More info: www.irationmusic.com

The post Iration’s Micah Pueschel Talks Tour, New Music, and Cannabis Collaboration appeared first on Backstage Socal.

Ready to lace up your running shoes and hit the pavement with a rock legend? Travis Barker, the iconic drummer of Blink-182, is swapping drumsticks for running shoes in his latest venture, “Run Travis Run.” 

Inspired by his own journey of recovery and fitness, Travis is on a mission to encourage fans and fitness enthusiasts alike to embrace the thrill of running. Whether one is a seasoned marathoner or just starting their fitness journey, they can join Travis – before a show on the current Blink 182 tour, or virtually – as he combines his passion for music and running, 

Mascot Sports and Barker have teamed up with Live Nation to produce a world-class wellness experience in conjunction with select locations of Blink-182’s One More Time tour. Barker’s Run Travis Run will debut at Los Angeles’ Kia Forum on July 6 and at Queens’ Citi Field on July 21. 

This unique event invites attendees to join Barker for a morning run and wellness activities, offering a comprehensive health and wellness experience.

“Run Travis Run,” aims to motivate people to embrace a healthier lifestyle and build a supportive running community. Barker’s story highlights the transformative power of running and his vision to inspire others to take up the sport for both physical and mental well-being.

In a fun chat about running with marathoner Jackie Moe, Barker shares insights into his journey of recovery and his longtime passion for running. He also talks about how it has played a crucial role in his life – helping him overcome the aftermath of a life-changing accident and maintain his health and sobriety. 

I feel like I’m combining so many worlds right now because I’ve always been such a Blink fan, but I’m also an avid marathoner. When I saw your [Run Travis Run] commercial, I was like, oh, we need to talk. Can you tell me about the support you have received from the running community and how it has influenced you?

Yeah, I mean, I’ve run for years. After my accident, I had this urge to do everything I was told I couldn’t do, and continuing to run again was one of those things. I remember in 2003, when my son was born, I found out I was having a baby, and I just ran to the freeway and back, which was about four miles.

I didn’t know why, but I suddenly wanted to take care of myself and prove that I could do more than I was doing. That led to a life of constantly challenging myself to be healthier and in shape, always ready for tour, and running was the main thing. 

I was always running three miles a day, especially on tour. I could never connect the dots to doing something I love, like running, and finding a way to share it with everyone or give back. It just hit me one day: I run every day, so I should be running with people.

I did a half marathon last New Year’s Eve and a couple of 5Ks. It’s the best feeling ever, and running with people is even more fun and motivating. It’s inspiring for anyone who thinks they can’t run or complete a 5K or half marathon.

It’s a whole different story when you’re in the energy of so many people doing the same thing as you.

Absolutely. I’m an individual runner as well, but as soon as I’m in a race, you thrive off this tangible energy from the people. I love that feeling. What half marathon did you run?

It was in Santa Monica, right along the ocean on New Year’s Eve. I didn’t really know what I was doing outside of running three miles before every show, but I decided to figure it out and do it.

It was such a cool experience and a bucket list item. It’s one of those things you don’t think you can do until you do it. Now, a marathon is in my near future.

I saw on your Run Travis Run website that you said you’re ‘just getting started.’ What is your vision for this new initiative?

In a perfect world, I would run three miles before every show with everyone every day. If I could get everyone outside and moving, and they become addicted and obsessed with running or walking like I have, then I feel like I’ve done something.

Additionally, giving back to the Boys and Girls Clubs and having a big charitable part of this means a lot to me. In every city I’m in, I’d love to have a run every day of this tour.

How can people get involved and support you in this mission?

Just coming out and running. Even if someone just sees this and doesn’t run my 5K, but goes for a run by themselves, that’s awesome. I’ve met so many people doing it virtually. Running has been the key to me getting sober a long time ago.

It’s the best stress reliever and better than any therapy or therapist in my opinion. There are so many great benefits to it.

RUNNERS’ CHAT

Thank you so much for sharing this. I’ll be out there supporting you, and I hope to run with you. I actually grew up with you in Corona, and you’ve always been a big part of my life.

Wow, I love that. How many marathons have you run?

Twelve so far.

Twelve? I can’t wait. That’s on my bucket list before the end of the year.

Let me know. This year I’m doing Berlin and New York. If you can get in on New York, I could help you with training. It would be so fun.

So you’re traveling to Berlin just to do the marathon? I love that. What’s your training like leading up to it? For my half marathon, I didn’t really have anyone that runs besides Chito Vera, a UFC fighter.

He saw me online and encouraged me to run more. He actually ran my half marathon with me. I ended up running 10 miles before my half marathon, but I always wonder what I should do before a full marathon.

It’s a building process. It takes about 12 to 16 weeks with long runs on the weekends. A lot of people start out trying to run more mileage than they need to, but if you build speed and hill work in between, it strengthens your endurance. Get one 20-mile run in a few weeks before the marathon, and you’re solid. After 20 miles, runners call it ‘the wall,’ where your body starts to struggle physically, and you have to pull the energy from your heart. It’s all mental at that point.

Wow, that’s awesome. I love that. I’m going to do it. It’s like the cold plunge or anything else that I don’t look forward to every day, but after you accomplish it, it’s the best feeling in the world.

Exactly, I’m so excited for you.

Thank you. I hope to see you at one of the runs. So awesome. It was nice talking to you.

Nice talking to you too. I’ll keep in touch. Good luck!

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Run Travis Run

Where: Kia Forum, Los Angeles, CA

When: July 6, 2024 at 9 a.m. PT

For more information on Run Travis Run: https://www.runtravisrun.com/

The post Run, Rock, Repeat: Join Travis Barker’s ‘Run Travis Run’ Revolution appeared first on Backstage Socal.

Synth-pop and big hair may have saturated the 1980s music landscape, but there was one iconic group that left a lasting impression in both new wave rock and fashion – A Flock of Seagulls. 

Emerging from the synth-heavy and stylish new Romantic movement, the English New Wavers soared to stardom with their groundbreaking hit single “I Ran (So Far Away)” in 1982. Their Grammy-winning debut album showcased a unique blend of angular guitar riffs and vibrant synths that defined the era. 

The band continues to write, record, and tour – including making a stop at Cerritos Center for the Performing Arts with Canadian pop group Men Without Hats on April 19.  

Flock’s legendary frontman Mike Score shared favorite Flock milestones, music influences, inspiration behind the iconic hairstyle, and more in a recent interview with Backstage SoCal.  

A Flock of Seagulls is known for its distinctive sound. How would you describe the band’s musical style and evolution over the years?

When we started we couldn’t really play, but we liked synths and guitars – something other bands didn’t seem to like at the time. We wanted to make atmospheres and meld them with pop and heavy music, and be spacey and modern all at the same time. 

Because we were just in a rehearsal room, it didn’t really matter what we sounded like, so we messed up a lot and experimented a lot and the “seagulls “ sound just developed. Simple lines, simple melodies, a couple of beers, it seems to work. 

What was the inspiration behind your massive hit “I Ran (So Far Away)”?

Seeing a 50’s style photo of two people running away from a UFO or flying saucer gave rise to the story in  “I Ran.” We were spacey sounding, it fitted our image. 

How do you think A Flock of Seagulls contributed to the musical landscape of the 1980s?

We were different – not trying to be “cool,” just following our own ideas in music. Our influencers were David Bowie, sci-fi movies, Alice Cooper. I think a lot of people saw that we were original, not copies of what had already been done a million times, so they took us to heart.

Can you share the story behind the iconic Flock of Seagulls hairstyle?

I was a hairdresser in Liverpool – we messed with our hair and our image all the time – colors, spikes, and so on. But I had a Ziggy Stardust type style all sticking up once before going on stage. I was looking at my hair in the mirror and one of the guys flattened it, but the sides stayed sticking up. Our manager said go on stage, so we went on stage. Me with flat hair but the sides standing up. People commented on it, so I took it to extremes. 

What can fans expect from your live show at Cerritos Center for the Performing Arts?

In the set these days, we play all or most of the hits, some brand new songs, and some deep dive cuts from the past. 

What’s the most memorable fan encounter you’ve ever had?

So many, it’s hard to pick them out individually. Some 5 or 6-year-olds dressed with the hairdo is one. Some dressed in seagulls costumes is another. Too many really; also just some fans who just seem to appreciate us still playing and bringing back memories to them. 

What’s the strangest rumor you’ve ever heard about yourself or the band?

That we are a one-hit wonder. 

What moments in your career with A Flock of Seagulls stand out as highlights or milestones to you?

Playing the Hollywood Bowl, standing where the Beatles stood, Madison Square Garden, and touring with The Police. 

Are there any new projects or collaborations on the horizon for A Flock of Seagulls?

Yes always, I’m always writing, recording, and touring. New singles and videos, etc. are on the horizon. 

How do you feel about the enduring popularity of A Flock of Seagulls’ music, particularly among younger generations who may not have experienced the 1980s firsthand?

I find it truly fascinating. Something we did almost 50 yrs ago is still alive and kicking. We expected nothing really from our music, and we got almost everything. And it’s truly appreciated. We love playing live and we love our fans coming out to see us. It’s not a business to us. It’s still just a band. 

A Flock of Seagulls

Theater: Cerritos Center for the Performing Arts, 18000 Park Plaza Drive, Cerritos

Date: 8 p.m. April 19, 2024

Ticket Prices: $79/$74/$64/$44

Ticket Information: cerritoscenter.com, or by calling (562) 916-8500.

The post From Retro Waves to Future Beats: A Flock of Seagulls Soars into Cerritos appeared first on Backstage Socal.

The fiery fusion of Celtic rock and bagpipe brilliance of the internationally acclaimed Red Hot Chilli Pipers will rock the Cerritos Center for the Performing Arts on May 3. 

Hailing from Scotland, this energetic ensemble performs a unique blend of traditional Scottish tunes and contemporary rock anthems.

But wait, before one starts humming ‘Californication,’ let’s clarify – this is not the Californian funk-rock legends Red Hot Chili Peppers. No, these kilt-clad virtuosos bring a whole different kind of heat to the stage. 

Since the nine-piece ensemble of pipers, guitarists, keyboards, and drummers won the top prize on the United Kingdom’s televised talent show ‘When Will I Be Famous’ in 2007, the Red Hot Chilli Peppers have performed stages from New York to Beijing to Melbourne and everywhere in between. 

The band appeals to die-hard fans of Celtic music, as well as those curious to see what happens when bagpipes meet rock ‘n’ roll. RHCP director and co-founder Willie Armstrong shared his favorite career moments with the band, musical process, and more with Backstage SoCal. 

Can you tell us about the origins of the Red Hot Chilli Pipers and how the band came together?

The band started with three pipers and two drummers and we only played at corporate events. In 2007, we won a nationwide TV show ‘When Will I Be Famous.’ After this, we were then asked to play gigs and concerts throughout the world and that’s when it really started to grow.

The band name was due to a misplaced CD. One of the original members asked his then girlfriend to place his CD’s in genre order. Rock and pop in one pile and traditional bagpipe music in the other. The Red Hot Chili Peppers CD ended up in the bagpipe pile and when he asked his girlfriend why that was, she replied ‘I thought it said Red Hot Chilli Pipers.’ 

What inspired the unique fusion of traditional Scottish bagpipe music with contemporary rock and pop tunes? 

Bagpipes are a popular instrument but really only popular for people who play bagpipes or already have an appreciation for bagpipe music. We wanted to broaden the genre to appeal to a far bigger audience. We therefore merged bagpipe music with rock music and created the unique genre ‘Bagrock’. 

How do you approach arranging and adapting modern songs for bagpipes and other traditional instruments?

It requires a good deal of thought and preparation. There’s basically nowhere to hide. Almost everyone on stage has a music degree and are top grade Scottish musicians. You have to avoid karaoke as everyone would see through that; musicians and audience. We need to remain true to the tradition but also take into consideration the needs and wants of a wider audience.

So there are rock and pop covers, but mostly they’ll be segued with the traditional bagpipe tunes. We also have an amazing vocalist who takes the lead melody part obviously, but also this gives us a chance to cleanse the ears of the audience.

That’s the real trick here, read the room and act on audience feedback, change is a good thing and keeps everyone creative.

What is your Cerritos Center for the Performing Arts audience going to experience?

Most people would think that they are coming to a concert or a gig, it is a show. We have a fantastic lighting rig. We employ the best sound and light engineers. We have choreography and two top grade highland dancers who are identical twins! 

We believe there are emotional elements in the show and these emotions will range from joy and elation to melancholy.

What are some of the biggest challenges in merging different musical styles, and how do you overcome them?

Bagpipes only have one octave so that is extremely tricky; you have to also avoid Karaoke bagpipes at all costs, so there’s a great deal of work that goes into that, for every song chosen. There will be perhaps 60 discarded. 

The band always play in B-flat as that is the key for the bagpipes – all too often. I hear different bands trying to emulate our sound, however the trick really is to ensure all instruments and singers are in the same key or a key that compliments the B-flat of the bagpipes – otherwise it just sounds disorganized and not as pleasant to the ear. 

What are some of the most memorable moments or experiences from your time performing as the Red Hot Chilli Pipers?

Opening the mainstage at the Fuji Rock Festival in Japan in front of 80,000 people. Playing mainstage at Proms in the Park, Hyde Park London in front of 70,000 people. Getting to number 4 in the mainstream singles charts and being asked to collaborate with Tom Walker.

Being an ex fire brigade I was always drawn to what I could do for charities. It’s been very rewarding raising money for the various people in need over the years. Again though there is a balance to that.

I really prefer to keep these things to myself and therefore I know I’m doing it for the right reasons. I also realize that advertising these events is crucial to the success. I always take the view that one day it might be me that’s needing help so perhaps selfishly I can ask for that one day without feeling guilty.

How do you balance staying true to your Scottish roots while also appealing to a diverse international audience?

The balance is in the music – 50% Scottish traditional music and 50% well known rock and pop tunes. They are intermixed and we tried to avoid karaoke as this would be too easy and not very musically endearing to our audience. 

Because the band originated from Scottish pipe bands, we thought we should wear a uniform as all pipe bands normally do. All band members wear exactly the same; red socks, black kilts, red sporran and black shirts. We think this adds to the stage dynamic and sets us apart from other bands in the genre.

The band has achieved significant success both in Scotland and internationally. What do you attribute this success to?

Logistically – although there are bagpipe and guitar bands, there are no bands with three bagpipe players that play melodies and countermelodies. No other band carries with it a world champion snare drummer that cuts through the rest of the sound when required. No other band wears a uniform like us on stage. This is because we were initially formed from a top grade 1 pipe band.

Emotionally – Bagpipes are an extremely emotive instrument – particularly for those with Scottish routes, but the feeling of melancholy and having that sentimental connection to music is universal.

Can you share any insights into the creative process within the band? How do you collaborate and come up with new ideas for arrangements and performances?

Every band member is very creative – for example the bass guitarist Ruaridh has composed some fantastic music for the bagpipes. Every band member has come from different musical backgrounds – so when we get together in a studio – there will be a variety of high end ideas coming to the table from some of the best musicians in Scotland – this is a very fun part of making our shows.

It isn’t just the musicians who will continue to up their game; the lighting engineers and sound engineers also have a say in this process and they have come up with some fantastic ideas as well when it comes to performance and dynamics. The most important part is audience feedback, we often adapt if we feel its necessary following performances. 

What is your favorite song to perform and why? 

We play a track at the very start called Thunderstruck. It is a very tricky piece of music that encompasses everything that is unique about our sound. I always find this is the most rewarding part because you still have 1 hour 30 minutes of crowd interaction and enjoyment to look forward to. 

Your music often brings people together from different backgrounds and cultures. How does it feel to be a part of such a unifying experience through music?

It is pretty amazing. Especially post pandemic it makes you realize how you don’t know what you have until it’s gone. A lot of us were wondering if it would ever come back. There is no better feeling to be back in the room with my mates making music and to then be back out there – sharing that with such appreciative audiences from diverse backgrounds and cultures. 

What are your future plans and aspirations for the Red Hot Chilli Pipers? Are there any exciting projects or collaborations on the horizon?

There will be a very exciting announcement coming in the second week of April which will be the culmination of 22 years of hard work and determination by all past and present band members. Watch this space. 

The Red Hot Chilli Pipers

Where: Cerritos Center for the Performing Arts, 18000 Park Plaza Drive, Cerritos

When: Friday, May 3, 2024, 8 p.m.

Ticket Prices: $69/$59/$39

More info: cerritoscenter.com, or 562-916-8500

The post Scots Storm Cerritos: Red Hot Chilli Pipers Bring Celtic Rock Extravaganza appeared first on Backstage Socal.

In a fusion of surf culture and craft beer, Firestone Walker, the renowned California brewery, has made waves by extending its multi-year partnership with the World Surf League (WSL). The highlight of this extended collaboration is the launch of the “Cold Beer Surf Club,” an innovative project that encompasses an original podcast and short film series hosted by 805 Authentico and California’s own professional surfer, Conner Coffin.

This initiative is more than just a partnership; it’s a celebration of the quintessential California lifestyle – where the taste of 805 Beer meets the thrill of catching the perfect wave. The “Cold Beer Surf Club” immerses enthusiasts in the world of surfing through storytelling, providing a unique behind-the-scenes look into the lives of professional surfers, the challenges they face, and the camaraderie that defines the surf community.

The heartbeat of the “Cold Beer Surf Club” will be the podcast and short film series, where Conner Coffin lends his authentic voice and perspective, offering listeners and viewers an intimate connection to the surf culture he knows so well. As an accomplished surfer hailing from the Golden State, Coffin’s insights promise to bring a genuine and relatable touch to the experiences shared in the series.

Debuting January 29, on WSL channels as part of the Championship Tour (CT) opening at Pipeline on the North Shore of Oahu, the first episode of “Cold Beer Surf Club” featured Foo Fighters’ guitarist and avid surfer Chris Shiflett. Episodes will air monthly and also feature companion short films that capture adventures beyond the podcast conversations.

Not stopping at storytelling, Firestone Walker and the WSL are taking their collaboration a step further with the introduction of the Athlete Booster program. This program is designed to provide crucial support to two Challenger Series surfers, enabling them to participate and compete on the global series stage. By investing in the future of surfing talent, the “Cold Beer Surf Club” goes beyond entertainment, becoming a platform for nurturing and promoting the sport’s rising stars.

In this Backstage Q&A, Coffin discussed the inspiration behind the podcast, the unique blend of surf culture and craft beer, and the stories that unfold both on and off the board.

What was the inspiration behind creating the “Cold Beer Surf Club” podcast and short film series? 

Coffin: I think that mostly we’re looking for a fun project to do with 805 Beer. We’ve made two great films together already with Mind Surfing and Convergence. We wanted to find a way to continue the storytelling and connecting with people to surfing, which is what led to the podcast.

I thought the idea was really cool and started thinking about the amazing people that I’ve gotten to meet over the years through surfing. I thought it would be super fun to be able to connect with them, talk stories, and get to hear their story on what they love about surfing? The goal for me is to have it be a podcast that also transcends beyond surfing.

Some of the guests like Chris Malloy is obviously he’s a surfer, but then he’s also become a really successful filmmaker. Chris Shifflett is a surfer but has tons of interests and passions outside of surfing.

I really wanted to reach out to people who love to surf but have a lot of passions and interests outside of surfing too, because for me I love surfing but I’m always really interested in a lot of other different things and what other people have going on.

It’s really fun for me to be able to share my experience with surfing with their experience and what they love about it, how it’s different or synonymous to other things they love to do or their profession.

If you could surf any wave in the world with a cold beer in hand, where would it be and why?

Cloudbreak in Fiji is such a magical place. They go on there and just have a good time. The people are amazing. It’s also hard not to Rincon, Santa Barbara because it’s home. I love the good sessions at Rincon and cold beers on the beach afterward with friends.

What was the most unexpected or interesting moment of your debut episode’s conversation with Foo Fighters’ Chris Shiflett? 

I think it was cool to hear him talking about surfing in the way that it is an outlet for him in his life. Being a famous musician, traveling, touring, that’s pretty gnarly. It’s a lot of going on the road, being around concerts, being made to managers, and all the things that go along with being a touring musician.

For him to be able to get a surfboard and go surf when he’s on tour in Australia is just like such a great way for him to unplug and stay in a great headspace while he’s on tour and get some physical activity, be in nature, and help him with his overall wellbeing when he goes to shows.

Surfing has always been that outlet for me too. It became my job and my profession, but at the end of the day, I still like to go out and surf and be in nature and do what I love to do. It has always been a nice outlet for me, so I think we shared that a lot and I found that really interesting.

If you could have a dream guest, alive or historical, on your podcast, who would it be and what would you ask them?

I’d love to have Keith Richards on my podcast. He’s always been someone that I’ve found really inspiring. He’s such an amazing musician.

I love listening to his interviews and his stories. It seems like he’s lived such a radical life in many different ways. He’s been unique, but yet stuck to the roots of traditional blues, rock, and country music. I’ve always been really inspired by him.

Tell us about a memorable moment or challenge you’ve faced while recording an episode for Cold Beer Surf Club or creating the 805 film series so far. 

805 Beer has been so great that we haven’t had a ton of challenges. One issue we run into is scheduling. For Convergence, we were talking about doing that trip for the film and getting myself, Nate, and Greyson together for probably about like a year.

Lining that up with everyone’s schedules and getting us all in the same place for a week was quite challenging. Similarly for the podcast, I think there are so many rad people all around the world that I would love to have on there. It’s going to be a challenge to get them in Los Angeles or maybe we go mobile at some point.

What are you looking forward to (and what can your audience look forward to) with the new podcast? 

I think hearing all of these different voices. I’m trying to bring like a very eclectic group of people to the podcast. Hearing all their different stories, I get excited about having these people on who are really skilled, really passionate, or created this unique life for themselves that is off the cuff and not considered “normal.”

We are talking to those who have found success in doing something that they love to do. I feel super fortunate to have done that myself. I think it makes life so much more fun and fulfilling when you get to do something that you’re passionate about for a living.

I want to try to capture that and pull on those strings through the podcasts with the various guests and hopefully inspire people to go out and do the same for themselves.

The first season of the “Cold Beer Surf Club” podcast plans to host 10 episodes, as part of the 2024 WSL Championship Tour season. The “Cold Beer Surf Club” podcast will be globally distributed on the WSL app and its media channels, Spotify, Apple Music, and YouTube. For more information, visit www.805beer.com.

The post Pro Surfer Conner Coffin Dives Deep into the ‘Cold Beer Surf Club’ Podcast appeared first on Backstage Socal.

This will mark the eighth season SCFTA has presented ABT’s production of the beloved holiday ballet, which will run Dec. 8-17 at Segerstrom Hall. The dazzling spectacle features an all-star cast, including exceptional youth dancers from the ABT William J. Gillespie School. 

Co-presented by the Center and ABT with choreography by Alexei Ratmansky, the holiday production is based on “The Nutcracker and the King of Mice” written by E.T.A. Hoffmann, and set to Peter Ilyitch Tchaikovsky’s magical score, performed live by Pacific Symphony.

SCFTA’s newly-appointed artistic director Susan Brooker, who oversees all levels of the ABT Gillespie Children’s and Pre-Professional Divisions, shares the magic of what makes the Center’s annual “The Nutcracker” so special.

What does it mean to you to be recently named Artistic Director of the American Ballet Theatre William J. Gillespie School?

It is a privilege to be given the opportunity to lead the faculty and students of the ABT William J. Gillespie School and to collaborate with Stella Abera, Artistic Director of the JKO School in New York to deepen the relationship between the two schools. I worked for Susan Jaffe briefly when she was Dean of the Dance Program at UNCSA and have enormous respect for her not only as an artist but also as a leader. It is an enormous challenge but one that is very exciting and rewarding at the same time.

What is the process of preparing the young dancers for the annual “Nutcracker” performance? 

The students audition for a team of ABT Gillespie artistic staff and ABT production team. Once they have been selected, they have rehearsals every Saturday between 2:30 – 8:00pm from September until early-December at which time the ABT company comes to the Segerstrom Centre. Some students are cast for several roles so are committed to many hours of rehearsal every week.

How has the art of dance evolved over the years in your experience? What changes have you seen in youth dancers recently? 

I believe that we have better tools to provide healthier methods of training to our students. We include body conditioning to reinforce classical technique, working with the whole person to support mental wellbeing, and accessing physical therapists who specialise in working with dancers. These are all factors that mean we can be more effective in the dance class.

Youth dancers now have to deal with unhealthy pressure due to exposure to social media, be it unobtainable standards that are presented as the norm, or peer pressure. They are already aiming to achieve extreme levels of technique and artistry and dealing with the burden of 24 hour social media influence adds an unnecessary layer of stress.

What makes the annual “Nutcracker” so special? 

The Nutcracker is a seasonal tradition that adds a touch of magic and wonder to our everyday lives. Young children love story telling in ballets and the whole of the first act of The Nutcracker is about communicating the joy and excitement of the seasonal celebration. But a really good Nutcracker has layers of artistry for an audience of all ages making it an event that can be shared with all the family.

What are you looking forward to for this “Nutcracker” run at SCFTA? 

I saw the ABT Nutcracker, choreographed by Alexis Ratmansky in New York, 2010, the year it was created, but have not seen it since. I was stunned by Ratmansky’s unique production and his wonderful choreography, so I am very excited to see the production again, this time with children from the school that I am now directing. I’m also looking forward to seeing dancers who were students at JKO in 2010 and who are now principal dancers in the Company.

Who are the youth standouts in this year’s “Nutcracker”? What unique attributes make them stand out?

We have some lovely young dancers as Clara and the Nutcracker Prince this year, Eden Bellouguet and Jordan Espero as Clara and Liam Boobar and Callum Simanski as Nutcracker Prince. These roles are very demanding from a theatrical point of view. The dancers have to appear entirely natural and unaffected in their expression, to enter into their roles with a maturity beyond their years. It has been a pleasure to see these children absorb the intricacies of the choreography and manage to sustain a quality of honesty in their performance. They will now have the challenge of matching that to the principal dancers with whom they will share the stage!

American Ballet Theatre: ‘The Nutcracker’ with Pacific Symphony 

When: December 8– 17, 2023

Where: Segerstrom Center for the Arts, Segerstrom Hall, 600 Town Center Drive, Costa Mesa

More info: SCFTA.org
 

The post OC Tradition: Holidays kick off with ABT’s 8th annual ‘Nutcracker’ appeared first on Backstage Socal.

Roger Earl, legendary drummer of the multi-platinum rock band Foghat, is not putting down his drumsticks any time soon. 

It has been over five decades since the English-bred rock icons Foghat hit the scene, but Earl continues to keep the rock band’s legacy alive and well. 

Known for megahits “Slow Ride,” “Stone Blue,” “Driving Wheel,” and “Night Shift,” the band just wrapped up their 17th studio album “Sonic Mojo” — set to release Nov. 10. They also released a couple of singles this summer, “Drivin’ On” and “She’s A Little Bit of Everything.” 

Foghat has earned eight gold records, one platinum record and one double-platinum record. They have never stopped touring and recording, despite the deaths of members – Lonesome Dave Peverett in 2000, Rod Price in 2005, and Craig MacGregor in 2018. 

The band nowadays consists of founding drummer Earl, guitarist/engineer/co-producer Bryan Bassett, bassist Rodney O’Quinn, lead singer/guitarist Scott Holt. Still rocking stages all over the world, the band will have an album release party at The Coach House in San Juan Capistrano on Nov. 17. 

Drummer Earl, 77, shares his favorite Foghat memories, how he keeps his love for music and performing alive, and more.

I have to say, I am making my dad so proud for talking to you – he is such a huge fan.

(laughs) We want to make our parents proud. But, you know, if you haven’t really upset your parents a number of times, you haven’t really done a good job as a kid. I was always upsetting my parents. I love them dearly and they love me too. But it’s part of growing up. 

Well, I hope this makes up for the times I’ve upset him, because he absolutely admires you. I have grown up on your music obviously because of him, and I love the new single ‘She’s A Little Bit of Everything.’ I feel like it captures your classic sound.

Ah great. Yes, we have a second one out now too called ‘Drivin’ On.’ In fact, I just got a copy of the vinyl today and I just finished playing it. I had my cup of coffee and I played the vinyl and everything sounds great on the vinyl. We’re always a little nervous about that. But it sounds terrific. 

I’m really, really happy with this record. It was recorded over a period of about three years actually. But the final six months is where it all came together. We have a studio down in Florida and we go down there in January, February, March, and prepare for the touring season. We always change five or six songs in the set, put some new or old tunes in there. There’s always five or six songs that we’ll always play. We also recorded at our own studio. 

So, when we started doing this record, we probably had, you know, maybe a dozen songs already recorded; not finished but recorded. So the process is a little different from how it used to be. You know, we used to have a record, a record and a half every year. There’s no pressure now. We just make music when we want. So that’s been great. 

You have personally kept Foghat alive for over 50 years. I can’t believe it, 50 years. How do you maintain that fire?

You can’t believe it? Neither can I (laughs).

You know, it’s like, be careful what you wish for. With our family there was always music in our house. I grew up in South West London and there was always music in the house. The radio, TV. And then of course, you know, records. My older brother is four years older than me. He bought all the early Elvis Presley stuff and Johnny Cash on Sun Records back in like the late fifties. 

And I grew up listening to music. My father played piano, not professionally, but he would play in the local pubs and stuff. So he always played. Mum sang, dad sang. My older brother started learning to play piano as… we went to see him in a theater in South West London. And as my mother said, at the time, I was never the same. It led my brain. So, yeah, I have to blame my parents for this. They always encouraged us to do whatever we wanted to do. 

You know, we weren’t rich or anything. I had to pay for my own drums and drum lessons. But I worked three nights a week after school and I worked Saturday mornings in a bakery. So I always had my own money. I saved up about a third of the money for my first drum kit, which I bought when I was 15 or 16, somewhere around there. So yeah, careful what you wish for. 

When I brought the drum kit home, we only had a small house. It was semi-detached and I set them up in like the living dining room and started playing, and my mother said, ‘Oh, this will never do.’ So, my dad gave me his woodworking shed, which is attached to the house and soundproofed it, so we didn’t annoy the neighbors next door.  

I was allowed to play up till nine o’clock at night. Then the light and the grand big tape player that I had hooked up with all the music I wanted to play to was unplugged. That meant time you go in. 

Who were your heroes in music at that time?

Well, Jerry Lee Lewis, Little Richard. Johnny Cash. I was a huge Johnny Cash fan. My brother bought Johnny Cash’s early stuff and I’d be riding my bike to school singing Johnny Cash songs. I don’t think my voice was quite low enough back then. I didn’t even know what I was singing about half the time. Johnny Cash had stories. Even though he didn’t have a drummer on his early records, there was always this rhythm going through it. Luther Perkins played guitar and Johnny played guitar and he had a bass player. There was the way the stories fascinated me. 

Music comes from America. All contemporary music comes from here. At the beginning when the Africans were dragged out of Africa and put here, there was the blues, and then we had jazz, and we have to thank them for that. And then country music, rock and roll, gospel music, hillbilly music. This is the land of music to the world.

There was this beautiful coming together of all these different folks from all over the world and it was this fantastic melting pot of music. Some of the rhythms and some of the tunes from Ireland, Scotland, England, France as well. And probably Spain. There were the stories that came from there. America gave music to the world. I grew up listening to rock and roll, blues, jazz, country music, of course. So yeah, this, is one of the reasons I live here. It felt like coming home. 

Foghat is known for their mix of rock and blues sound. Would you say you are the influence behind the band’s sound because of your love for that genre?

Yeah, very much so. I mean, without the blues, there would be no rock and roll. Without the blues, there would be no contemporary music I think. They’re related. I remember when my brother first started playing, actually, when I first started playing in bands and stuff, he said, hey, Rog, anything other than three chords has to be viewed with a certain amount of suspicion. 

So, actually there was a quick story. When we were doing the Fool for the City album, we were up in Sharon, Vermont and it was the first time since the first record that we actually took a break; we took about three months off the road to actually record this record. Nick Jameson had joined us on bass and producing, and we had a house up there, and each day we would go into the studio to work out the arrangement for the song Fool for the City. And in the evening we went back to the house and Dave and I were sharing a bottle of red wine. And I said it, Dave, how many chords were in ‘Fool for the City’? And he knew where I was going with this. He said, ‘There’s only three chords, Rog. There’s some parting chords, but they don’t matter.’ (laughs) Good ol’ rock and roll humor.

As one of the most admired bands in the 70s and 80s, what do you think separated you from other bands of that era? 

Being in the right place at the right time. Good fortune. I think with any band that I think makes a dent in the world of music, or has a degree of success, it’s because they have something different to say. Maybe no matter how slight it is or the variation on something. It also has something to do with being in the right place at the right time. 

I mean, ever since I’ve been playing, and even in the last sort of 10 or 20 years or 30 years, there’s many fantastic musicians and bands out there who never get a shot at success. People make records all the time. It’s good fortune really. I mean, our first record was all really the reason we had a degree of success. Because a famous manager from the States came over to see us in England. His name was Albert Grossman. He managed Bob Dylan, the band Peter, Paul and Mary, and Janis Joplin. He came over to see us and he liked what he heard, so he gave us a record deal. And by the way, at that time, everybody else in the world had turned us down. So we had a major record company and the minors had said no. So, we got fortunate Albert liked us.

Your perseverance played a big part too, I’m sure.

Yeah, we would have played anyway no matter what. But it was one person who made the decision to book us and to sign us to his label. As I said, everybody else said no. They didn’t hear it, but Albert Grossman did.

Amazing. I love hearing that it all came down to having the right person believe in you. And now here you are, 50 years later. Like a Cinderella story, but with rock ‘n’ roll. 

(Laughs) Life can be a Cinderella story for some of us. Life is wonderful. I’ve always enjoyed it. I’ve tried to stay positive, even in some of my darkest moments when I’ve lost friends and fellow musicians and stuff like that. But I’ve always tried to stay positive. I’ve had a lot of fun. 

Also, I think musicians are – certainly musicians that are successful – are inherently selfish about what they do. Playing music comes first. I’m not saying that they’re nasty bastards or anything, but it’s like they put music first. And I think sometimes, you know, relationships can suffer and a lot of things you hold dear. But music takes you over. 

I mean, like playing drums. I always wanted to be the drummer in a band. Playing music was almost foremost in my mind. It wasn’t about doing drums – though those can be good fun, you know, kick and crash – but playing in a band is what I wanted and I’ve always wanted to do. I love playing in a band. I think even from my earliest days, I always played with really great musicians and people of a similar taste in music and similar attitude about playing. Getting to the gig and playing comes first before everything else. I love my job.

Can you share your most memorable experience over the course of your career? I know this is a ridiculous question because I’m sure there are millions, but the one that is most dear to your heart.

There were a number that were really special, but one that always comes to mind was in 1977. We just finished the Stone Blue album, and we were looking at ways to help promote it, and I think it was a publicist who came up with the idea of doing a tribute to the blues in New York. We were based out of Long Island, so that was the foundation of all our music and what got us into music. 

So we rented the New York Palladium. and we invited Muddy Waters, John Lee Hooker, Johnny Winter, Eddie Kirkland. Um, who else? Paul Butterfield. And we were basically the house band. Everybody got paid except us. But we were getting paid, because we were playing with our musical heroes. It was also my father’s 60th birthday and they came over from England and I got them a hotel for a couple of weeks in Park Lane New York and treated them. They came to the show and we were backstage.

I introduced mum and dad to Muddy Waters. Now they knew who he was because I wore out his records at the house. My favorite record was Muddy Waters Live at Newport Jazz Festival. It was 1960, I think. So they knew who he was and there’s their youngest son playing with his musical heroes. So that was probably one highlight that stayed with me forever and ever. It’s a shame that never came out, and it was recorded and filmed. But Warner Brothers in their infinite wisdom haven’t put it out, but we’re still working on that. That might come out one day.

And the encore was ‘I Just Want to Make Love to You.’ The song that Muddy Waters first recorded, it was written originally by Willie Dixon, but the encore was that, with everybody joining in. So there was Muddy, John Lee Hooker, Paul Butterfield, Johnny Winter. It was the highlight of my life. 

Absolutely amazing. Your band has always had the reputation of high energy shows. How do you keep that up nowadays?

I personally try and stay healthy. I’ve done my fair share of everything that’s ever been out there. But I love playing and a drummer has to be physically fit. I’ve had a lot of work done on my hands, my feet, my knees, my shoulders.

In fact, whilst we were doing this album, my left arm rotator was off and I couldn’t take the time off to have it fixed, so I would use these straps and strap up my left shoulder for the making of this record Sonic Mojo. But when you’re playing music, you forget about the pain until afterwards. I try to take care of myself, and the day that I can’t play is probably the day I’ll stop playing. But up until then, I’m gonna roll till I’m old and I’m gonna rock till I drop. 

FOGHAT

Where: The Coach House, 33157 Camino Capistrano, San Juan Capistrano

When: 6 p.m. Nov. 17

More info: https://foghat.com/tour/

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The Spin Doctors released the debut successful record, Pocket Full of Kryptonite, in 1991. The album included its superhit “Two Princes,” as well as “Little Miss Can’t Be Wrong,” and “What Time Is It?” 

Three decades have passed since the band made their mark in the music scene, and the alt-rock band keeps touring and performing stages all over the country. Three of its original members are still in the lineup – lead vocalist Chris Barron, guitarist Eric Schenkman, and drummer Aaron Comess.  

The alt-rock band will open for 90s mega hitters Smash Mouth at Cerritos Center for the Performing Arts on Oct. 6.

Drummer Aaron Comess shared what keeps the Spin Doctors rocking after three decades.

What were some of your early musical influences that shaped your sound?

We all share a love for classic rock, blues, soul and jazz. Some artists we all love are the Rolling Stones, The Beatles, Led Zeppelin, Miles Davis, James Brown, John Coltrane, Bob Dylan, The Grateful Dead, and the list goes on and on and on. 

Your album “Pocket Full of Kryptonite” was a huge success. What do you think contributed to its popularity?

The timing was just right for that record. Without trying, we developed our own organic sound, which is a natural mix of all our collective influences. I think we all feel lucky for the chemistry we have. 

Could you share some behind-the-scenes stories or inspirations behind the songs on that album?

We would go to the little Spanish joint called “Comida Latina” four times a week before writing sessions or gigs or recording sessions. The food at that place is part of the songs. 

Spin Doctors are known for your energetic live performances. What do you enjoy most about playing live shows?

We love to mix it up. As serious as we take our music, we dont take ourselves seriously at all, and we have a good time. No one is worried about a little mistake here or there. It’s all about the energy, and we like to mix up our set a bit overnight. 

What is your audience going to experience at the Cerritos Center for the Performing Arts?

High energy performance of all the songs you want to hear, plus some new ones and some deep cuts. 

What does it mean to you to share the stage with Smash Mouth? 

We always have a blast with Smash Mouth. Great bunch of guys and they put on an incredible show. We hope to do many more shows together. 

What have been some of the biggest challenges you’ve faced in your music career since your success in the 90s?

You just take it day to day. Ups and downs, but the main thing is making great music, and we feel we are playing the best we ever had…that’s always been the goal.

What are the proudest moments or achievements in your career so far?

We are just proud to have made a career in music. That’s always been our dream from day one. 

Are there any new albums or projects in the works for Spin Doctors that fans can look forward to?

We have a new record in the can that will be out in 2024. We love it.

How would you like Spin Doctors to be remembered in the history of rock music?

Just a great rock and roll band that did things their own way.

_____________________________________

SPIN DOCTORS

Cerritos Center for the Performing Arts, 18000 Park Plaza Drive, Cerritos

Date: 8 p.m. Oct. 6

Tickets: $59 – $119

More info: cerritoscenter.com

The post Spin Doctors keep hits alive, over 30 years later appeared first on Backstage Socal.

With hits like All Star, Then The Morning Comes, Can’t Get Enough of You Baby, and I’m a Believer (later featured in the film Shrek), the band is easily recognized amongst all ages for its catchy tunes and fun lyrics.

Although the band’s longtime frontman Steve Harwell, 56, died in September, the band continues to bring their megahits to the stage with as much vigor and fun – as if nearly 30 years hasn’t passed since they stepped out into the pop-rock spotlight.

Paul Delisle, original co-founder, bass player, and songwriter, chatted with Backstage SoCal before they perform the Cerritos Center for the Performing Arts on Oct. 6.

Early years:

How did each of you get started in music, and what led to the formation of Smash Mouth? What original members are still in the band? 

We all played in different cover bands growing up in the San Jose Bay Area so we all knew each other. Steve started the idea of forming an original band and recruited Greg and I. Right after we got signed we added Michael Klooster on Keyboard so he’s basically an original member along with myself. Sean Hurwitz on guitar and Randy Cooke on drums have been in the band for over 10 years now.

Can you share any early musical influences that have shaped your sound? 

Greg and I liked punk and surf stuff along with 80s Modern Rock and Steve liked Van Halen and stuff like that.

Steve:

The number one question all will want to know is how are you holding up after the loss of Steve Harwell? 

We are doing good because we were sorta told a year ago this was on the forefront. He retired from the band late 2021 so we’ve been moving full throttle keeping the Smash Mouth brand alive in his honor. At the same time it still feels totally weird he’s gone and we’ll cherish the moment we meet-up again.

How are your shows pivoting without Steve’s presence? 

Super weird at first but really the credit goes to Zach our new singer. He totally “gets it” and because he’s so prepared it’s been seamless. Zach is a tad younger than us too so we’ve been injected with new energy.

Cerritos Center For the Performing Arts:

What is your audience going to experience at Cerritos Center? 

A very fast-paced set with a ton of recognizable hit songs. We released the classic cover song by Rick Astley “Never Gonna Give You Up” in 2022 with Zach on vocals and it’s been a nice addition to our live show.

“All Star” is one of your most iconic songs. What was the inspiration behind it, and did you anticipate it becoming such a cultural phenomenon? 

Our original Guitar Player and my great friend Greg Camp wrote that. As he explains, it’s a song about the kids who get bullied and how the odds are against them and it’s an anthem for them to say F it and go for it antways. He then correlated that with the environment and how as humans we are treating it like bullies and how it must rise above the abuse because there’s no choice. As far as it’s success, we knew we had a hit song but had no idea it would become one of the most popular songs ever.

All Star

How has the success of “All Star” impacted your career and the band’s identity? 

It’s been a financial windfall and continues to be and the song put us on a level most 90s bands can’t even see. The songs remains cool and fresh and that’s very difficult to accomplish. Just like THE CARS, you listen to their first LP and it’s still super fresh to the ears.

Your music has evolved over the years. How would you describe the progression of Smash Mouth’s sound from your early days to now? 

The songwriting method is the same. What has changed is production, current sounds etc,. Our new song “Underground Sun” carries all the early Smash Mouth elements.

Live Shows

What is your favorite aspect of performing live, and do you have any memorable onstage moments or stories to share? 

We started this new thing where we stop playing in the middle of “I’m A Believer” and the crowd takes over the vocals. The energy is amazing!

How do you keep your live shows fresh and engaging for both longtime fans and new audiences? We switch up the set lists and we’re releasing new songs so we just added our new single “Underground Sun”. If the crowd keeps roaring after our last song we may come back on stage and slip in a Van Halen cover.

Collaborating

What does it mean to you to share the stage with Spin Doctors? Are there any artists or bands you’d love to collaborate with in the future? 

The Spin Docs are rad and they carry that energy on stage. We’d love to be on a Hard Rock Festival and rock out harder on all of our songs but they won’t let us. Heck, we supported NSYNC way back when so we’re open to everything. Twenty One Pilots fans are great and heck we’d open for The Biebs, why not!

Future

Are there any upcoming albums, tours, or other projects that fans can look forward to? 

We are working on a Holiday album that will be released in time for this year and we’re working on an original LP by slow releasing one single at a time. We have a new one we’re excited about titled RIDE ON you’ll hear soon.

SMASH MOUTH

Cerritos Center for the Performing Arts, 18000 Park Plaza Drive, Cerritos

Date: 8 p.m. Oct. 6

Tickets: $59 – $119

More info: cerritoscenter.com

The post Backstage Q&A with Smash Mouth: All Stars For Nearly 30 Years appeared first on Backstage Socal.

Nearly 30 years since his debut, country superstar Trace Adkins continues to be a commanding force in the music and entertainment world.

The six foot, six inch-tall Grand Ole Opry member is revered as a domineering figure — among his many achievements, Adkins has sold over 11 million albums, received multiple Grammy nominations and awards, charted 40 singles on Billboard’s Country Airplay Charts, and garnered over two billion streams.  

Unmistakably recognized for his unique, heavy vocals, Adkins’ biggest hits include “Every Light In The House,” “This Ain’t (No Thinkin’ Thing),” “You’re Gonna Miss This,” and “Honky Tonk Badonkadonk.”

In more recent years, he has taken on acting and voiceover roles, including the voice for recurring character Elvin on the animated Fox show “King of the Hill” and the main role of Albie Roman on the Fox drama “Monarch.” 

With several projects in the works, the 61-year-old star proves that he has yet to reach his peak – he is currently on the road for his headline Somewhere In America 2023 tour, which includes a stop at Cerritos Center for the Performing Arts on Aug. 1.  

Adkins chats about lessons learned, where he buys his cowboy hats, his favorite moments on the road, and more. 

Your deep, distinctive voice is often recognized as one of your trademarks. How did you develop and cultivate your unique vocal style? 

Adkins: I’m not sure I developed it as much as it organically happened. I was exposed to different styles of music, and I try to incorporate those varying styles into my approach.

Is there a particular song that holds a special significance to you that you would like to share the story behind? 

Adkins: I recorded “You’re Gonna Miss This” to sing at the wedding of my oldest daughter, Tarah. I never expected anyone to like it, and it ended up being a #1 song for two weeks in a row.

Your music often incorporates themes of resilience, patriotism, and the working-class experience. How do you choose the songs you record, and what draws you to these particular themes? 

Adkins: I record songs that speak to me. Like the majority of my audience, I am from the working class so it seems like I have recurring themes of resiliency, hard work, heartache, and patriotism. 

You have collaborated with a wide range of genre artists – Snoop Dogg, Stevie Wonder, Pitbull. Is there anyone you would love to collaborate with in the future? 

Adkins: Nobody that I can think of but I have been honored to sing with several world class talents.

Do you have any memorable or funny stories from the road that you can share with us? 

Adkins: While doing a show in East TN, I ripped my pants from the button in the front to the belt loop in the back. There was no graceful way out of it, so I paused the show, went to the bus, changed pants, walked back up, and finished the show.

Can you describe your live concerts? What is your audience going to experience? 

Adkins: We do a “greatest hits” show and mix in a few new songs. I love venues like the Cerritos Center because it’s more intimate, allowing me to be more conversational with the audience.

Your contributions to charitable causes, including your support for the USO and the Wounded Warrior Project, are commendable. Can you talk about the importance of giving back and why these causes are close to your heart? 

Adkins: I always answer this question the same way. It is a selfish endeavor on my part. If you have the opportunity to be in the presence of, to commune with heroes, then you should always do it.

Looking back on your career, what are some of the biggest lessons you have learned along the way, and how have they shaped you as an artist and as a person? 

Adkins: Try not to take yourself too seriously and develop thick skin!

Lastly, your fans have asked me to ask you: 

Where do you buy your hats?

Adkins: My “go-to” hat is a Stetson, and I buy them directly from Stetson. Full price, too!

Do you have any movie projects coming up? 

Adkins: I have a western that I filmed earlier this year, and we hope to release it this Fall. I also have a TV project, Ultimate Cowboy Challenge. The 4th season is premiering on September 6.

What’s in the near (or further) future for you that you are excited to share with your fans?  

Adkins: We have several things in the works, but none of them are far enough along in the process to share. Some new music, film, TV projects, etc.

Trace Adkins

Where: Cerritos Center for the Performing Arts, 18000 Park Plaza Dr, Cerritos, CA 90703

When: 7 p.m. Aug. 1

More info: https://www.cerritoscenter.com/

The post ‘Cowboy’s Back in Town’: Q&A with Trace Adkins appeared first on Backstage Socal.