In a city known for its glitz and glamour, one iconic theater has been serving up laughter for five decades straight. 

The Groundlings Theatre, a cornerstone of LA’s comedy scene, celebrated its 50th anniversary in style for a special recording of the acclaimed satire podcast, “Multiple Talking Women” on April 12.  

The event featured a star-studded lineup, including Bob Odenkirk (“Better Call Saul,” “Breaking Bad”), Michaela Watkins (“Dinner with the Parents,” “You Hurt My Feelings”), and Maggie Baird (“Billie Eilish: The World’s A Little Blurry”).

The podcast, created and starring The Groundlings Main Company members Lisa Schurga, Ariane Price, and Lauren Burns, is known for its satirical take on contemporary talk shows, blending humor with cultural commentary. Drawing inspiration from their characters in the Groundlings show “Happy Hour,” Schurga, Price, and Burns entertained the audience with improvised sketches and banter.

Throughout the recording, the hosts engaged in playful banter with their celebrity guests, tackling a variety of topics with irreverent humor and incisive commentary.

Amidst the banter and witty repartee, the audience was treated to a special surprise when Baird, who was live-streamed on a large screen, was joined by her daughter – none other than Grammy and Academy Award-winning singer-songwriter Billie Eilish. The two engaged in lively conversation with the hosts, delving into what it was like for Eilish to grow up with a Groundlings improv actress as her mother.

But the surprises didn’t end there. Former Groundlings actor Odenkirk, known for his iconic roles in “Better Call Saul” and “Breaking Bad,” joined the hosts on stage, regaling the audience with anecdotes from his illustrious career. From his early days in improv to his journey in television, Odenkirk shared fun stories from being in “the biz.” 

In a particularly poignant moment, Odenkirk opened up about his experience suffering a heart attack on the set of “Better Call Saul.” Reflecting on the ordeal, he revealed how it had reshaped his perspective on life, allowing him to wake up each day without anxiety and see the world as beautiful once again.

Shortly after, another Groundlings alumna, Michaela Watkins, graced the stage, bringing her signature wit and charm. With playful banter and infectious energy, Watkins shared stories from her career, seamlessly weaving in and out of conversation with the improv hosts and Odenkirk.

For more information on “Multiple Talking Women,” visit: https://shows.acast.com/multiple-talking-women

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Disney park employees, also known as “cast members,” are the impetus for keeping the magic alive for guests. 

In order to do so, they must abide by a list of rules – from the way they talk, point, do their hair, and even how they pick up (“scoop up”) trash from the floor. And the performers have an even longer list of Disney do’s and don’ts. 

Married co-hosts Matt Gourley (Conan O’Brien Needs a Friend co-host) and producer Amanda Lund (Drunk History) launched an eight-part, weekly docuseries “Keys to the Kingdom,” which goes behind-the-scenes to explore the experiences of past and current Disney performers. 

The rules may seem somewhat bizarre in comparison to other workplaces, but to Disney, they are strict and necessary to maintain the park’s clean and happy environment. 

The couple are former Disney “cast members” and met while working as characters at Universal Studios – so they know their stuff in the theme park world. The two share their strange and personal anecdotes of the decades they spent working at Disneyland and how it led to them meeting and having their own fairytale ending.

Focused on the sometimes strange and often heartwarming stories of current and past Disney performers, the podcast has a documentary tone that includes fake voice-overs for those who want to remain anonymous to protect their theme park jobs.  

Notable guests include Taran Killam, Scott Aukerman, Sona Movsesian, Jeff B. Davis, and more – making this podcast a must-listen for everyone from Disney enthusiasts to cynics. The stories reveal the good, the bad, and – yes, even, the ugly – of working at the Happiest Place on Earth. 

Gourley discussed “Keys to the Kingdom” in a recent video interview with Jackie Moe of Backstage SoCal.

(Side note – interview begins with Lund joining in on the interview, but had to tend to their adorable 2-year-old daughter!)

Get 8 full-length, bonus companion episodes featuring numerous extended and unheard interviews and more at https://plus.acast.com/s/keystothekingdom

The post ‘Conan’ Co-host and Podcast Guru Matt Gourley Chats New Disney Docu-Podcast appeared first on Backstage Socal.

The show will stream on The Locher Room YouTube channel and Facebook to entertain fans around the world during the COVID-19 crisis at 8 p.m. EST. Co-hosted with Laura Wright (Carly from ‘General Hospital’) and Alan Locher, host of The Locher Room, the live event is produced by Daytime Cares, an organization that celebrates and highlights the heroes of the COVID-19 pandemic, encourages volunteerism, and assists those who are in need.

We caught up with ‘Days of Our Lives’ veteran actress (AKA Nicole Walker) and Daytime Cares co-founder Arianne Zucker to discuss her charitable organization, life in lockdown, her new podcast “Everything From A to Z,” and what’s in store for the soap queen.

What was the inspiration behind co-founding Daytime Cares?

It’s always so interesting how people begin new businesses, create ideas and collaborate together. As my fellow co-founders, Bob Wall and Sonia Blangiardo and I were working on some other ideas, the corona virus hit us all pretty hard. We decided to put our project on hold and Daytime Cares was created by Bob and Sonia. We all spoke about how we wanted to do something more because people are now at home during the day looking for ways to help or donate or looking for resources to help their family and neighbors.

What are the goals of Daytime Cares?

Daytime Cares is in its early growth stages, but the long term goal for this website is to be interactive in more than just finding non-profits they can donate and volunteer. We are working on providing informative videos on what people can do financially during COVID-19 and we will provide updates as the weeks progress. The most important goal for us is to make sure people can receive the answers they need to find the help they are looking for. We are available through email and take those questions and provide vidoes for the Daytime Cares website. We know many people have the same question, so it is great for us to be able to share answers to the best of our ability on the website.

We are focusing on two nonprofits:

Disaster Responder Assets Network https://disasterassets.org/ focusing on hosting free and confidential online support via Zoom for front line Healthcare workers and First Responders and so much more.

Feeding America https://www.feedingamerica.org helps millions of children and adults get the meals they need to thrive.

We will have the two organizations on our https://www.daytimecares.com/ home page and you can donate directly to one or both organizations and watch the donations grow through the evening.

Tell us about your “Everything From A to Z” podcast. What do you hope to achieve with it? Who do you hope to feature on it?

Everything From A To Z was actually inspired by my friend Sonia Blangiardo. I write, host, edit and post the show. Everything From A to Z is about helping people “Find the Hero in you”. Since I was young, I always knew I was supposed to give back and do more to help in this world. I always believed that each and every one of us has a superpower and it’s just a matter of who or how someone says something that resonates with you to help you find your hero within yourself.

My long term goal is helping people on an individual, corporate and goal oriented level which I have just begun to do with “Sunset Sessions and Aloha Vibes” which you can find out more information on my website http://www.ariannezucker.com/.

I’m earning my way interviewing some wonderful guests who have incredible journeys and inspire others to do the same. I have so far interviewed heroes such as a Principal, a Life Coach, an Accounting Professional, a Doctor of Chiropractic, and the list is growing. Of course, as time goes on, I imagine my guest list to grow as I do.

In what ways have your fans reached out to you during this isolation time?

The fans really enjoy seeing Tik Tok videos I do with my daughter. I’ve done about three of them with her and fans seem to go wild for them. However, between the podcast, Daytime Cares, Cameos and Tik Toks, I have to find time for my family. It seems as though I’m busier now than before the isolation. Which is wonderful.

What are your favorite qualities of Nicole Walker?

I have one big favorite quality of Nicole. She is slowly growing into an HONEST woman. She has learned from her mistakes. Even though her mistakes were always because of her long desire for love and affection.

Here is what I miss. All of her “Bad Girl” qualities. She was funny, savvy, dressed great, and didn’t care what anyone thought of her.

What has been a pivotal moment in your career that has helped shape you today?

Probably a few years ago when I realized my value. I actually took a year off of work and I found out some wonderful things about who I am as a person. Not working will do that for you. It makes you deep dive into who you are and where you want to be in your life. Not to say that working on yourself isn’t difficult because it is. I just always find the positives in that difficult journey. Let’s not forget some tears. I look back and see where I am now and I truly believe when you believe in yourself from the depths of your stomach (soul), that dream, that wish, that goal has already happened for you.

Where is your Soap Opera Digest Award currently?

Flashback! My Soap Opera Digest Award is exactly where it should be. On the book shelf holding up my series of Twilight books! Thank you for asking.

What is your current favorite quarantine activity?

My daughter’s P.E. time. She can play a mean game of handball. It gives me one heck of a workout!

What can we expect in the near and/or distant future of Arianne Zucker?

If all goes well, I’ll be hosting a show somewhere in a studio, not in quarantine at home, while still working on “Days,” filming and narrating shows. Along with building my podcast, and all the things I talked about early in this article. Girls gotta dream.

For more information, visit https://www.daytimecares.com/

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The San Diego native is continuously active on all fronts — producing popular podcasts, starring in television and film, being a fierce pro-cannabis activist, stand-up comedy touring, and even co-creating an off-Broadway show (“The Marijuan-Logues”). 

The face of the documentary film “Super High Me” is currently best known for popular podcasts “Doug Loves Movies” and “Getting Doug With High.” His weekly “Doug Loves Movies” has pulled notable guests, including Mark Wahlberg, Bob Odenkirk, Amy Poehler, John Lithgow and Patton Oswalt, and discusses everything from weed to pop culture to comedy. 

The seasoned comedian is also a stand-up star, often touring and performing for live audiences, including a stand-up show at the Irvine Improv on Dec. 26 and a live audience recording of his “Doug Loves Movies” podcast at Brea Improv on Jan 4. He chatted with Backstage SoCal about favorite moments, movies and comedy.

Favorite moment on your Doug Loves Movies podcast so far?

When John Lithgow was on, during the Leonard Maltin Game, I read a less than favorable review of one of Lithgow’s movies, and he called Maltin a cocksucker. Sounds crude but somehow Lithgow made it classy. Acting!

Interviewing comedians, many have discussed feeling the pressure of filtering or censoring their comedy. In what ways are you experiencing this pressure (if at all)?

Times change, attitudes change, just like Jeff Goldblum says about life, comedy will find a way.

Most embarrassing moment of your career?

Hmmm, tough one, my entire career is based on embarrassing myself. Also, I get high every day, so I tend to take bad experiences and make like the girl in “Frozen” — I let it go.

What qualities do other comedians have that you admire?

Some are very good at doing the same material over and over again but still making it feel fresh. I enjoy doing my podcasts because the entire shows are improvised, there’s no routine to get sick of.

What would you tell your younger aspiring comedian self?

Drink less; go ahead and smoke a lot.

What do you remember about being on the set of “Friends”?

That I was there for 12 hours but my scene took 10 minutes to shoot. But it was a glorious 10 minutes, because Jennifer/Rachel had to talk to me.

Do you believe in conspiracy theories? 

I’m not a conspiracy guy. But I stand behind all of them.

What is the worst movie ever?

Damn. What’s with all the tough questions? I guess I’ll go with “The Room.” Which is not to be confused with “Room,” which is quite good and not fun at all.

Besides free weed, what do you wish your fans would give you?

More free weed. (laughs)

What will the Irvine Improv audience experience on Dec. 26?

Me telling some jokes, some of my friends telling some jokes. We’ll play a trivia game with audience members… just a fun time in general. I love doing my annual Holiday Taint show – taint Christmas, taint New Years, it’s in between — at the Spectrum. Before the show, you can find me on the Irvine Spectrum ferris wheel! 

For more info, visit douglovesmovies.com or follow Doug Benson’s Twitter at: @DougBenson

Brea Improv: https://improv.com/brea/

Irvine Improv: https://improv.com/irvine/

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Greg’s son Jake, 23, has lived with seizures since he was a small child. Despite trying multiple medications, Jake’s seizures persisted and became worse as he grew older. By age 12, he was having hundreds of seizures per day. It turned out that Jake has drug-resistant epilepsy (DRE), which meant there was only a 5 percent chance that medications alone would be enough to control his seizures.

After years of searching for the right mix of treatments, Jake is now a thriving young adult. His seizures are controlled thanks to medication, VNS Therapy, brain surgery, and a combination of lifestyle modifications and other treatments. On Nov. 5, Greg and Jake spoke at the 7th Annual Epilepsy Awareness & Education Expo at the Disneyland Hotel. The free expo featured over 60 non-profit support groups, several epilepsy centers, drug and related product manufacturers, seizure dogs, and a variety of professionals and exhibits from all over the world. 

In celebration of National Epilepsy Awareness Month, Greg will also host the End Epilepsy Live! telethon on Saturday, Nov. 9 at 2-6 p.m. PT. The celebrity-filled event will raise funds for the Epilepsy Foundation. He hosts the podcast “Talk About It! – The Podcast,” produced by the Epilepsy Foundation, which helps raise epilepsy education and awareness with interviews and profiles of people living with epilepsy, facts and stats about epilepsy and seizures, tips on healthy living, and special celebrity guests.

We chatted with Greg about his growing efforts as an epilepsy advocate, and his hopes for the future of his son and the epilepsy community.

Jake’s story really touched me. As a young adult with epilepsy, what challenges is he currently enduring?  

Jake’s doing really well, but at the same time, he has to be confident enough until it’s safe enough for him to drive. It’s one of those things, like swimming. If he swims, he doesn’t swim alone. It’s not like he doesn’t swim or ride bikes or anything like that, but he just has to be cautious about it. When he swims, he makes sure he’s in the deep end as little as possible, or with people. It’s just common sense for him. It’s like why would you put yourself in danger? And for Jake, it’s tough because he’s 23 and he’s got two younger brothers. His youngest brother just yesterday got his license. So it’s like all of a sudden, Sam’s driving; like literally last night, I called my wife and she was like, “Sam just took the car and got chicken wings and went over to his friend’s house to study.” And Jake is sitting there in the car listening, and it’s hard for him. He would love to do that, or just go grab frozen yogurt or something. And we don’t live in a small city where you could just Uber or something around. L.A. is very spread out. So he still faces those challenges. 

In what ways has being an advocate for the epilepsy community do you feel has helped Jake in his journey?

You know, there are times I’m sure that he feels I’m too vocal (laughs). He’s always done the National Walk for Epilepsy, but then VNS Therapy (Vagus Nerve Stimulation) reached out to us asking if Jake wanted to be an advocate. He’s had VNS Therapy for all these years and he’s doing well with it. And he really just embraces the role of standing there talking to others about it. There are concerns that people have or questions about VNS, and he’s so happy to share his story; it seems like it’s therapeutic for him. It’s so great.

There has always been a stigma that surrounds epilepsy. Since you became involved within the epilepsy community, what changes have you seen with this?

Oh my gosh, it’s funny, you take 10 steps forward and then all of a sudden you’re reminded why you’re doing this. I mean, I started helping the foundation because of that stigma. I thought if we can’t find a cure, we can find new therapies. A cure for me is a tough conversation because there’s so many different forms of seizure and people have seizures for so many different reasons. So is there going to be one thing that really finds the cure? Maybe not. But we can all benefit from taking naps, eating right, taking our medicine on time. And you know, something like VNS therapy is something that helps so many people, but there’s all kinds of different therapies and different things that you can do to help yourself. So if you don’t talk about it, you don’t know what’s out there. 

It used to be really rural. I would meet people that have told me, “I don’t live anywhere near a city that has a hospital with a neurologist.” Not to mention pediatric neurologists or epileptologists. Like that word alone, epileptologist, people are like, ‘What is it?’ It’s a specialist; a neurologist that specializes in epilepsy. So this tunnel of knowledge — it wasn’t out there the way it is now; you really had to seek and find it. I mean, I’ve been doing TalkAboutIt.org for a long time. I get a company like VNS Therapy to get behind me, because we want to support this. We want to help. They helped with the podcast. They help with the Epilepsy Telethon that’s coming up this weekend on Saturday from 2-6 p.m. live with all of these incredible performers. 

Having said that though, somebody just came up to me (at the expo) and told me that the fact that her grandparents are here is monumental. She said she has been dealing with epilepsy for 23 years, but her parents are in complete denial and won’t even use the word “epilepsy.” I said, ‘Wait a minute. You’ve been dealing with this for 23 years by yourself? What happened before that?” And she said doctors would tell her parents that she had it, but they wouldn’t acknowledge it. Until she reached adulthood, they would not even acknowledge it. I mean to think of somebody struggling like that within their own family! 

So, yes, we’ve come a long way, but individually, everybody’s fighting their own unique stigma battle. And I’m just there to help and give people the tools so that they can say to their grandparents or family members or teachers or coaches or spouses or boyfriend or girlfriend, “Hey, go to this website, look at all these famous people that are talking about it.” This is not something to be ashamed of, you know?

How wonderful. So would you say your mission is to continue to bring a positive light to the disorder so others will be more open to talking about it? 

Yes! That’s why I have rock stars joining my cause. I have a comedian, I have a magician. I’ve partnered with the Lamborghini, I’ve partnered with Ford. I partner with all of these cool brands so that it’s like, ‘Oh, this is just as normal as Stand Up to Cancer’ or any of these other charities that do it so well. But we have a long way to go, because the awareness of the community is very low. Many don’t know anything about the telethon this weekend for example. I mean, it’s crazy to me. It’s such an uphill battle. It’s going to be on CBS stations locally and on Twitch, YouTube and on my social media @GregGrunberg on Instagram and on Twitter. We have so many stars this year. We’re doing this thing where it’s Star Wars versus Star Trek. So we’re getting all these people to go honest. William Shatner for example, is like, ‘Yeah, I’m all Star Trek.’ (laughs). But we’ve got so many celebrities attached to this year with great performances, and it’s going to be a lot of fun. 

Especially being in the limelight currently with “Star Wars: The Rise of Skywalker” premiering soon, do you feel like that has helped a lot with your advocacy movement? 

Oh my gosh, for sure. I’m at this expo signing my own action figure, for instance. I have like all these things that attract people. It’s all about getting people to come. So others aren’t afraid to talk about it. If they come up and ask for my autograph, I can say, “Oh, by the way, why are you here?” Then boom. I’ve converted one more person to not be afraid to talk about it, which is great. 

I also just announced something huge. If you go to omaze.com/greg, I am giving people the chance to win the opportunity to go to the “Star Wars: The Rise of Skywalker” premiere with me. Two tickets to go walk the carpet, see the movie, and go to the party; they’ll fly out and will be put up at a four star hotel. All of the money will go to the Epilepsy Foundation and anybody from all over the world can enter. I’ve been teasing it. I’ve been saying big “Star Wars” news because if I said “big epilepsy news,” people sadly will not pay as much attention to it. But to have Lucasfilm and Disney behind it? That’s huge. Daisy Ridley has one, Adam Driver has one, and I have one for the foundations we support. It’s so wonderful. 

What are your hopes for the future of the epilepsy community?

Well, looking around at the (Disneyland Epilepsy Awareness & Education) Expo alone, makes me wonder how is it possible that it is not packed? 65 million people around the world have epilepsy or a seizure disorder. One in 26 is going to have a seizure in their life. I look at the size of the expo, and while there’s a lot of people that came, it’s nothing compared to what it should be. This is all because of the low amount of awareness. The world needs to know more about epilepsy, and I’m putting in the work to help.

END EPILEPSY Live!

When: Saturday, November 9, 2019, 2:00-6:00 p.m. PT

Where: Broadcast live from Hollywood and streamed here on epilepsy.com/live, talkaboutit.org, YouTube, and CBSlocal.com/EndEpilepsy

Why: To raise awareness and funds to support the more than 3.4 million people in the United States living with epilepsy and seizures

Go to: epilepsy.com/live

FOR MORE INFORMATION ON THE EPILEPSY AWARENESS & EDUCATION EXPO AT DISNEYLAND, VISIT https://epilepsyawarenessday.org/event-info/information/

Follow Greg Grunberg at: @GregGrunberg and his Talk About It! podcast at http://talkaboutit.org/podcast

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The six-episode audio fiction podcast stars Joel Kim Booster (Shrill, Sunnyside), playing the part of Paul, a late 20-something who lives at home with his mother in the quiet suburb of Downey, California. He wants to come out to his mom about his homosexuality, but he is a second generation Korean American who only speaks English, while his mother, Gina Mi-sook Kim, only speaks Korean. 

We chatted with James about the inspiration behind the podcast series, and how it hits home on a personal level for him.  

What was the process of creating Moonface, a story so close to your own, like for you?

Liberating. It was nice to reimagine situations that happened in my life and rewrite my history. I could say things I never said in those real-life moments, have events play out differently, for better or worse, and I got to analyze my emotions, thoughts, and feelings in a way I’ve never done before. It was like being my own therapist. 

Since this story is based on personal experience, do you feel like it was more or less challenging to write? 

I chose to write something personal because I thought that would make the process of writing a script easier for me. This was the first time I ever wrote fiction. I didn’t know the basics. I never had taken classes or read books about screenplay writing, so I figured that writing a fictionalized version of my life would make the learning curve less steep. 

I was totally wrong. It took me several years to write six episodes with my group of writers. Even though a lot of it is based on personal experience, I still had to write characters that were fully realized people, create a story arc that can sustain six episodes, and create stakes and build to a climax and resolution. I would name all of the people who helped out, who looked at a draft, offered suggestions, but that was like 10 people. It took an entire crew to make this show.

But the one experience that helped make things easier is my background in audio documentaries. I considered how I could use sounds and music in every scene, every transition, every line of dialogue so things didn’t feel so expository.

I wanted to write a story that was best told through audio.

How did the story of Moonface first come to you? 

Thank you Jed Kim [a former colleague]. The thought of making a fiction show never occured to me until Jed wanted to submit a podcast idea to NPR Story Lab in 2015. We were working together at a public radio station at the time and he wanted to do a detective story. I told him if we’re gonna make a fiction show and pitch it to NPR, it has to be grounded in some sort of truth or news. 

One of the first pieces I did in radio was a story about first language attrition and the language barrier I have with my parents. I thought since the subject matter revolves around language that it’s the perfect story to tell in the audio fiction space. We worked together on the pitch and it ended up not getting selected. But my mind kept thinking about it, and eventually I decided to just make it myself. 

How do you feel telling the story of Moonface through a podcast enhances the story versus telling it through a medium like film?  

Whenever I’m listening to a podcast compared to watching a TV show or film, I’ve noticed I pay more attention to every detail, every word, every sound, even the story as a whole. Intimate moments feel more raw, dramatic moments feel more gut-wrenching, every emotion just feels more intensified. I mean, you’re literally right in the ear drums of a listener when they’re listening on their headphones. 

So I wanted to play that up and make this show something where people would stop what they were doing, turn the volume all the way up, and pay attention to the sound. We wrote scenes where there’s more silence than there is dialogue. We wanted people to feel uncomfortable in the silence, to feel the way the characters feel in the moment. But we also wanted to use sounds to make the listener feel like they’re in the bar hanging out with the characters, or in the bedroom as the two main characters are having sex.

We boosted up sounds like a bed creaking, sheets being shuffled around to really make the listener feel like they were on the bed during the sex scenes. Our sound designer Artin Aroutounians and composer Andrew Eapen worked a ton of endless nights to just get these moments right. Podcasts just allow you to create a more immersive experience than any other medium. 

What do you want listeners to take from Moonface? 

I just want listeners to feel something. Whether it’s emotional, or joy, or even being disappointed that the show could have been better. If it’s something they connect with then that’s awesome. But if it’s something they think they could have done a better job, I really hope it inspires them to make a fiction show. I’m being serious. I want more people to be making fiction shows, to be telling their stories, sharing their perspectives on life, and hopefully creating something that makes people feel less alone in their struggles, and pain, and happiness. 

https://www.youtube.com/watch?v=d2_1Gcf5ehQ&feature=youtu.be

Episodes can be found on Apple, Stitcher, Acast, Spotify or wherever you subscribe to podcasts.

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You may recognize Kimmy as Stacey Beswick — one of the Beatdown Bitties on “Glow” — or as one-third of the World War II musical comedy trio Apple Sisters. She has also appeared on “Conan,” “A Christmas Story Live!,” and “Crazy Ex-Girlfriend.”

Kimmy chatted (and made us belly-laugh) about her newest venture into podcasting and why you should listen — whether you are a mom or not.

What was the inspiration behind creating “Mother of All Shows”?

When I got pregnant, I was overwhelmed by everything I read on the internet – what I couldn’t eat and drink, how I was already putting my child at a disadvantage by not reading to her in utero or how she would never have confidence because I didn’t sign her up in fetal krav maga — I joke, that’s not a thing…right?

I also want to create a space where I could reevaluate the things I read and hear on the internet and the news. Becoming a parent is such a big transition in life and so many people have so many opinions; I figured I’d go back to the fountain of knowledge, which is real moms. As much as technology and knowledge is at our fingertips, I often feel deeply out of touch and scattered; I’m sure that’s the lack of sleep and my daughter’s packed gymnastic/soccer/girl scouts schedule too. So, I talk to experts in the field to help me decode the mom philosophies.

I also wanted to provide a space without judgement, better understanding and most importantly a sense of humor. If you want to get a taste, check out this video I did while 8 months pregnant “Nesting Like a Motherf*&” (warning: NSFW)

Your first episode touches on serious topics, particularly postpartum depression. What other topics do you plan to discuss in regards to women and motherhood?  

I’m very excited about this first season. I have a great upcoming conversation about adoption where I talk to two moms who adopted their children and one mom who was adopted as a baby; since I joke about living in a commune with my best friends, I decided to see what it would really be like, so I spoke to a woman who grew up and left a commune and one that is living in one. I have a great episode on travel since it gives parents so much anxiety. We will hit serious topics like guns, miscarriage, and immigration and lighter ones like holidays, in-laws, and a dad’s episode.

You’ve been successful with musical theater as an Apple Sister and as an actress on GLOW; what new challenges have you experienced hosting this podcast? 

I actually had a podcast with the Apple Sisters that you can listen to! I love podcasting. My producer, Jen Perry Leamy, and I originally pitched this as a television show and are so happy to give it a life in podcast form. It’s a perfect way to talk to parents. It’s so intimate that I hope listeners will reach out with their thoughts! I also love learning something and bringing humor to everything I do no matter what the topic. The hardest part for me is finding the time to do it!

When and where are your podcasts generally recorded?  

They are recorded whenever I can find time, usually in my producer Jen’s house or on the road. I feel like an amateur reporter sometimes, showing up on people’s door steps with a microphone.

Are there any particular guests that you have booked that you are excited about? 

I’m very excited for everyone to listen to my interview with Daisy the flight attendant. It really demystified a lot of traveling. Also my interview with Elizabeth who grew up in a hutterite colony. And of course to be able to talk frankly and make jokes with two of my best gal pals and fellow moms Rebekka Johnson and Amanda Deibert.

How has your role in GLOW changed your life? 

GLOW has changed my perception of my body. I had recently had my daughter and I had to learn how to wrestle AND wear spandex all the time. I learned my body is strong and beautiful no matter how imperfect it is. I also have 15 new best friends that I talk to everyday. 

What do you hope to achieve with this podcast? 

I really hope that I can help parents and non-parents have a deeper understanding over each other. And that we can stop judgement and misunderstanding by slowing down and asking someone a question or two. I sound like a Jerry Springer episode AND I AM OKAY WITH THAT!

Follow Kimmy Gatewood on social media at: @kimmygatewood and the show @moaspod

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True-crime podcast listeners will indulge in Crime Beat for its gripping storytelling, mysterious nature and investigative twists and turns. Orange County crime junkies will enjoy it for all of that, plus its local angles that make the stories hit closer to home. 

The Crime Beat podcast digs into captivating crime stories with raw interviews with criminal masterminds, crime victims and active detectives. Its first season “Stealing Nixon’s Millions” recounts the steps of the 1972 south OC bank heist — U.S. history’s largest bank heist to be exact — with intimate interviews and commentary from the thieves themselves. Creator and narrator Keith Sharon, an award-winning Southern California News Group reporter, also co-wrote the 2019 screenplay “Finding Steve McQueen,” which was based on the heist.   

Currently in its second season titled “Mom vs. Murderer,” the series explores the 1994 murder of Cal State Fullerton honor student Cathy Torrez. Keith takes his listeners behind the scenes of the investigation with old interviews and new story lines that have yet to be published.

With the mission to explore a different crime every season, Keith shares his inspiration and what he hopes to achieve through this medium.

What elements of a crime story do you look for when deciding whether or not to pursue a podcast discussion? 

I’m always looking for a great ending, so the answer, for me is easy: I’m looking for a resolution. I don’t enjoy the podcasts in which the last episode ends with: “We’ll never know what happened …” I want the hero to ride off into the sunset, satisfied.

What was the initial inspiration of creating the Crime Beat podcast? 

I’m a fan of “Serial,” “S-Town,” “In the Dark” and “Accused,” so I wanted to do what they had done — create a compelling crime story that kept audiences coming back week after week.

What challenges did you experience in creating the first season of Crime Beat? 

At first, I thought it would be really cool to record my interviews in a bar. There would be ambience … and that was the stupidest decision I could possibly make. Background noise is horrible in interview situations. I learned that quickly.

What is the process of creating a chapter-based podcast?

There are three distinct phases: gathering sound, writing and recording narration. Each of these parts has to be equally good, or the podcast falls apart. The interviews have to be compelling. The writing has to be dynamic. And the voice has to be someone you want to spend time with.

When it comes to storytelling, how does the podcasting medium feel different from reporting/writing? 

As you prepare the script, you have to remember that you’re a storyteller. You’re talking to someone who is in their car or on the treadmill. It’s more a direct voice than writing for a publication.

Why do you think people are so compelled to listen to crime stories? 

I think people like to try to figure out what’s happening as they hear the details. It’s almost participatory.

Do you have any “podcast heroes” or particular hosts that you listen to that have influenced Crime Beat? 

I thank them at the end of every episode. Amy Wilson and Amber Hunt on Accused, Sarah Koenig on Serial, Brian Reed on S-Town, Chris Goffard on Dirty John, Madeleine Baran on In the Dark, Nate DiMeo on The Memory Palace and Phoebe Judge on Criminal.

What do you hope to achieve with this podcast? 

Crime Beat Season 2: Mom Vs. Murderer is the story of Cathy Torrez, a Cal State Fullerton student who was found stabbed to death in the trunk of her own car. I want to show the extraordinary lengths her mother (Mary Bennett) went to in her attempt to get justice.

Anything else you would like to add?

Sometimes, criminals get what’s coming to them. And grieving moms can become heroic.

Episodes can be found on Apple, Stitcher, Acast, Spotify or wherever you subscribe to podcasts.

The post Crime Beat podcast digs into OC’s most compelling & mysterious appeared first on Backstage Socal.

Joseph James DeAngelo Jr., highly publicized as the Golden State Killer, is alleged to have murdered 13 people in California during the 70s and 80s. He also raped 50 women. Despite this, he’ll only stand trial for the murders.

Paige St. John, a Pulitzer Prize winning investigative reporter, takes her listeners on an investigative journey that reveals the devastation this deadly serial killer left behind in the Wondery and L.A. Times podcast “Man in the Window.” The series gives a more in-depth look as to who he is, the police work and the stories of his victims, including an exclusive interview with his ex-fiancee.

But what separates this crime podcast from others is it not only opens up conversation about serious and untouched topics outside of the usual murder stories, but it also amplifies the voices of his female victims who have been shushed for decades. St. John shares her inspiration to bring these stories to the podcast medium. 

What elements of a crime story do you look for when deciding whether or not to pursue a podcast discussion? 

I don’t specialize in crime stories — I seek out complicated and compelling subjects that merit and can sustain a deep investigation. In this case, that started as an effort to understand the motivations behind the man accused of one of the most brutal crime series in American history, with a stunning 106 victims of rape, torture or murder. But it quickly jumped into the podcast-sphere when I realized there is a larger story to be told, of a silent generation of women. 

The East Area Rapist was only one of many serial rapists who ran amok in the 1970s and 1980s. The experiences of his half-hundred victims capture the larger societal issues of rape at a time when feminism was still dawning. What better way to give a voice to these women, and at what better time than now as we grapple with recurring revelations of past sexual assault?

What was the initial inspiration of creating the ‘Man In the Window’ series podcast?

I first wrote a four-part print narrative for the Los Angeles Times, and then set out with the podcast to tell a complementary story that amplifies the voices of the female victims. I want listeners to know these women, like them and empathize with them, and rejoice in their strength and determination. The inspiration for the project stems from their willingness to share their most private feelings to anyone in the world willing to listen.

Was it your intention to open up and shed light on larger topics beyond the story of the Golden State Killer? Such as the “language of rape?”

Absolutely! From the start, I did not want to create a “true crime” story that served only to entertain and shock with horror and violence. To merit so much intrusion into the lives of these victims, the project required a higher purpose. I wish I could have done more, like brought in the voices of Phyllis Schlafly and Bella Abzug, to remind listeners of the rhetoric of the times. 

It was easy to see how national discord and debate over equal rights shaped the reaction to a serial rapist, even was echoed by local detectives who criticized rape crisis counselors as being ‘anti-male.’ It was jolting to be reminded of the shroud that surrounded rape in the 1970s, the lesser standing it had as a crime, the underlying implications that victims somehow invited their attack, and the scarcity of tools law enforcement had to solve these crimes. 

What challenges did you experience in creating the first season? 

The popularity of true crime podcasts presented its own major hurdle. The standard form pits a heroic detective against a force of evil, with predictable results. On top of that, the “Golden State Killer” has been heavily marketed. The challenge was to break that mold, and tell people a story they actually didn’t know, from perspectives often left shallow and one-dimensional. It was an immense relief when I started reading listener comments and saw that they got it, that this is a crime story, but also so much more, and they were not turned off by that.

When it comes to storytelling, how does the podcasting medium feel different from reporting/writing?

There’s an intensity to an extended multi-part narrative podcast that far exceeds anything I’ve done in four decades of writing for print. Voices bring such nuance, color and immediacy to the story. And the way people listen to podcasts — that they literally plug themselves into the story — creates such an intimate space. Done well, done right, it’s as if the listener and the characters exist in their own private room in the mind.  

Why do you think people are so compelled to listen to crime stories? 

I ask that of almost everyone I meet. My Uber drivers. Waiters and bartenders. The podcast-addicted editors I meet at other papers. It is a puzzle to me. Some people, usually women, say that listening to crime stories lets them work through their fears. Others enjoy the tingle of fear, and those people are sure to share with me their most terrifying moment of Man in the Window. My own interest, when I read or listen to crime, is to try to understand the human psyche. How is this possible? Who are we that we can do such things?

Do you have any “podcast heroes” or particular hosts that you listen to that have influenced the Man in the Window series? 

I transitioned from listening to audio books to podcasts, so generally sought out for more “writerly” subjects. But when I launched into Man in the Window, I polled the newsroom and came away with two top recommendations: “In the Dark” and “Crimetown: Providence.” I studied both podcasts intently, for the handling of complicated stories with multiple characters and, in Crimetown especially, the use of archival materials to bring the past to life. Providence remains my all-time favorite. The hosts don’t step on the show, or the larger-than-life personalities that they bring to life. It’s an enjoyable ride.

What do you hope to achieve with this podcast? 

Most of my investigative work seeks to right some wrong. This project is very different. My biggest hope is that it begets conversations, and understanding. That women who were raped, and stayed silent, feel safe enough to talk about it, even decades later — and if they suffer trauma, to seek help.

Anything else you would like readers to know?

It could be four years or more before Joseph DeAngelo goes to trial, if he ever does, and that leaves most of the victims of the East Area Rapist/Ransacker and families of those killed by the Original Night Stalker in limbo. I expect there may be occasional updates, even as I move on to other projects. But additional episodes are also likely as new facets of this story can be told. We are working right now on an Episode Eight, to explore why the criminal case is not moving, and to hear for the first time from some of the most silent of all the victims, the men. The things they have to say are quite amazing, and deeply disturbing. It forces us to complicate our understanding of these rapes, with evidence that both women –and men– were being stalked.   

The post New podcast amplifies voice of Golden State Killer’s victims appeared first on Backstage Socal.

What is the true meaning of life? Actor, comedian and writer Justin Long ventures into the minds of celebrities to learn how they spend their time on earth in his new podcast “Life Is Short.” 

Through engaging, thoughtful conversations with everyone from actors to musicians to deep thinkers, Justin chats about the experiences that have led them to find meaning in their own lives. Accompanied by his brother, actor and producer Christian Long, the brotherly banter and fun discussions give the Wondery podcast a lighthearted and comedic tone.

As a longtime actor, Justin– recognized for his movie roles such as “Dodgeball: A True Underdog Story,” “Waiting,” and “Galaxy Quest” — said he’s used to getting inside the heads of the characters he plays, so the interview format comes natural to him. Guests so far have included actor/producer Neil Patrick Harris, actress Anna Chlumsky, actress/director Olivia Wilde, actor Kevin Bacon and comedian Neal Brennan.

Justin chatted with us about favorite moments and guests, what it’s like to work side-by-side with his brother, the joys and challenges of running a podcast (including having to venture into the world of Instagram…) and more.

What was the initial inspiration of creating the “Life Is Short” podcast? 

I think it was turning 40 – which brought with it, as is common, a heightened awareness of how much and how quickly time is passing. It really snuck up on me and I started rethinking how I was using my remaining time and, more importantly, curious how others were using theirs. I also just really like talking to people and learning about them. So it was a combination of a midlife crisis and being super nosy (laughs). 

Who are your podcast heroes? What qualities do they have that have inspired you in your own podcast?  

I really love listening to Dax Shepherd’s podcast. He is incredibly bright and curious and has enough knowledge about most subjects that make his contributions really valuable and elevate the conversation. The first podcast I ever did was Anna Faris’s “Unqualified” which I also loved – Anna had a very easy, laid-back approach to her interviews that made me feel like a very engaged fly on the wall. Both Anna and Dax are very empathetic people which, I think, is the most important attribute for the podcasters I enjoy listening to. 

You’ve had a pretty diverse group of people on — Fran Drescher, Kevin Bacon, Wolfgang Puck, etc. — who has been the most:

Fun? Fran was fun because she’s so unpredictable and opinionated and… fun. But Cobie Smulders and Olivia Wilde and Sam Rockwell are all people whose company I so enjoy in life, so hanging out with them in front of a microphone was equally fun. 

Fascinating? Wolfgang Puck has a fascinating upbringing which I was almost completely unaware of. Jeremy Renner’s view of life and death fascinated me. I’m honestly fascinated by some part of every guest we’ve had so far. 

Thought-provoking?  I hope this isn’t a cop-out but I’ve also found every guest we’ve had to be thought-provoking to some degree but the interview with Roger McNamee (author of the book “Zucked”) was one I still think about – he opened my eyes to so many hidden dangers of social media. Jesse Eisenberg has such an open and empathetic worldview that he has made me reevaluate my own behavior towards people through a more understanding and forgiving lens. 

Has anyone made you nervous or anxious to talk to? 

Most of the guests I’m, at least, slightly nervous to talk to. But obviously the ones I didn’t know have been the most nerve-wracking. Wolfgang Puck, despite never having met him, really put me at ease – he was so disarmingly down to earth and sweet. Neil Patrick Harris is an old friend of mine but Neil is, himself, such a great host and deft conversationalist that I felt pretty nervous in the beginning of that one. Ditto for Lena Dunham. And in both cases they’re people I really admire. They were also two of our very first few episodes. 

What challenges have you faced so far venturing into the podcast industry?

I was saying “yeah” too much. Somebody pointed it out and as much as I wanted to disagree with it, I couldn’t. I’ve also had to curb an annoying instinct to talk over people if I get excited by something that springs into my head. I also had to start an Instagram account – which went from being a challenge to something I’ve begun to enjoy. 

What has been your most special moment since launching so far? 

I think the most special moments have been hearing and reading peoples positive feedback about the show. It’s something I’m so much more personally invested in than a movie or TV show I do. It’s really just me and my brother talking, so any positive reinforcement about that I take very personally. It’s also been really special getting to do it with my brother. 

I love that you have your brother by your side to “hold you accountable” the way siblings do and reveal a different side of you to your listeners. What does that mean to you to work with Christian?

We’ve been creative partners for a long time and have had many scripts never see the light of day, so it’s nice and deeply rewarding to see a creative endeavor of our’s come to fruition. It’s incredibly gratifying. He also brings out the best in me — I’m my funniest and most engaged when I’m interacting with him. I think we challenge each other really effectively and push each other to be as funny as we can be. And as much as we share a very similar comedic sensibility, we are different people and his criticism and commentary I find more valuable than anyone else’s. I suppose I respect him more than anyone else. 

What do you hope to achieve with this podcast?  

I didn’t have these ambitions going in but it would be really nice to just be a positive, fun, interesting, whatever presence in people’s lives. Selfishly, I’d always just hoped it would be fun, which it definitely has been such a fun creative outlet. But now the thought of having a positive impact on someone’s day, on someone’s life, is something I hadn’t considered but feels insanely gratifying. 

Discuss this interview with Backstage SoCal publisher Jackie Moe via Twitter at @jackieemoe

The post Actor Justin Long chats ‘Life is Short,’ new celeb-filled podcast appeared first on Backstage Socal.

When you aren’t commuting to work, planning out your next work presentation, picking up your kids’ carpool, studying for a test — or whatever it is that takes up your day-to-day — do you indulge in a unique or bizarre hobby? Lesley Arfin, the perpetually chill creator of the hit Netflix series “Love,” created the feel-good podcast about finding pure, simple joy in random, unusual or just plain fun hobbies. 

The Filling the Void podcast features celebrity guests, such as actress Natasha Leggero (host of MTV’s “The 70s House”) and actress/TV writer Kerri Kenney (“Reno 911!), discussing the things that make them happy. The brand new podcast has streamed from the LA-based network Earios since June 30. We chatted a bit with Lesley about her favorite moments so far. 

What was the inspiration behind creating a podcast on discovering hidden hobbies?

I was f**king off a lot, doing things I like to do instead of actual work to make money. So I thought, ‘Oh I wonder if other people have this problem?’ And then people kept telling me to do a podcast and I was like nah, I’d only do it if it was actually fun, like a hobby. And somehow this math all added up to FTV.

Who has been your most memorable interview so far and why? 

Probably Kate Berlant because it was the first one.

What has been the most shocking/fascinating hobby you have discovered in your podcast chats? 

Diablo Cody’s roller coaster hobby was CRAZY! 

I heard you tell Diablo Cody that your podcast is a hobby. What are your other hobbies? 

Handyman/woman type stuff, painting, ballet, cards, and online shopping. 

What helps you balance writing, podcasting and other career/life ventures?

Being a mom. But I wouldn’t say it’s balanced. I’m constantly trying to balance my schedule and failing. 

Do you feel podcasting came natural to you? And has it enhanced your creative process?

Yes and I don’t know. Probably? I’ve only done it like 4 times though. 

Who are your podcast heroes? What qualities do they have that have inspired you in your own podcast?

I rarely listen to podcasts and when I do it’s 100 percent about the subject matter — usually murder. 

What do you hope to achieve with this podcast?  

Just to have fun and find out some cool stuff about people I hadn’t expected to find. I’m interested in people in general and what they do when they’re off the clock. 

The post Comedy writer Lesley Arfin is ‘Filling the Void’ with new podcast appeared first on Backstage Socal.

Media queen Margaret Cho has returned to the podcast platform after a six year hiatus and she’s inviting all of her famous (and some not-so-famous) friends to join her for fun and intimate conversations. 

“The Margaret Cho” launched July 17 and has already released episodes with “Queer Eye” host Jonathan Van Ness, tattoo and makeup artist superstar Kat Von D, actress Katie Malia and TV host and comedian Michael Yo. Presented by new female-led podcast network Earios, in partnership with Acast, episodes drop every Tuesday — with 36 episodes per season.  

The Grammy and Emmy Award-nominated actress, comedian, author and LGBT activist said there are no topics she will shy away from in her conversations, but her main goal is to just have fun. Cho chatted with us about her newest venture into the podcast world. 

How do you feel your podcast is unique from other interview format podcasts? 

Well, I really love when you get through to somebody from a different context. Like when I was younger, I would listen to my mom having lunch with her friends and I would like, crawl under the table and listen to their conversations. And all these moms were talking to each other and they were not moms in their conversation. They were talking about different things and their lives. I just think it’s really great to listen in on somebody who’s talking that’s not the part of them that you necessarily know publicly. It’s a kind of intimacy that I feel I can get with people. A lot of the guests that I have on are really good friends of mine. So I like to try to get to a different side of a personality if I can — that’s my goal. 

What inspired you to launch “The Margaret Cho”? 

Well, I’ve done a podcast in the past, in 2012 and 2013, and I really enjoyed it. It was a different time for podcasting, so it was a very different experience, but I always really enjoyed it and I wanted to get back to it. It’s a good way to supplement some of the other things that I do with comedy and producing and writing and putting together other things. And I listen to podcasts a lot. So it just seemed like the rational thing to kind of get into because I’ve had experience there and it’s a medium that I really avidly use as a consumer. 

Do you have any podcasts heroes that you look up to? 

I really love “My Favorite Murder.” Karen Kiilgariff is a friend of mine from the 1980s, you know, from childhood. So we have known each other for many, many years. And so it really is like listening to your friend talking on the phone. Like it’s like a very familiar thing. And I really love true crime, which is an interest that I’ve had all through my life. And somehow it’s kind of caught up with society, like “Armchair Sleuths,” and it gets very interesting how we can examine society through crime and how women are disproportionately suffering from crimes, especially from their partners or from abuse. And there’s so many things that you realize looking at crime statistics, crime stories and how the stories really tell a story about society. There’s another one that’s similar to my favorite record, which is “RedHanded,” a British podcast, which is also two women talking and it’s just really interesting, it’s a really good one. So those are my favorites you should check out if you haven’t. 

Where do you generally record? 

It actually really depends on (where I am). Sometimes I’ll be recording in New York and I’ll work in a studio there. But I’m the most comfortable recording from home. I think that’s my ideal, so I’ll probably do more from my house. 

What challenges have you faced so far? 

I think it’s just scheduling everybody, you know? Everybody that I want to talk to is really busy. Especially somebody like Kat (Kat Von D) or Jonathan Van Ness, who is our first guest. They’re always on the go. Kat just had a baby and they’re like getting their house ready, and then they’re like doing all of this press stuff, because she’s releasing a new shoe line. And then Jonathan is on the comedy tour and also filming “Queer Eye” and of course “Game of Thrones” just ended. So there was like so much activity on both of their parts; so it was hard to figure out when we could do it. So actually sitting and talking, that time is precious and I think that’s sort of reflected in the show. We make a lot of sacrifices so we actually can get together and talk. So it’s a nice thing that we can use it in the podcast. 

Since you’re being recorded for a large audience, does it feel like someone else is in the room with you when you are having these one-on-one casual conversations?

There’s certainly something to that, but also as a comedian that’s something we’re always kind of really conscious of. Especially nowadays with the way that we talk about comedy and we talk about jokes, you kind of have to be very careful or really sensor what you’re doing or saying. I feel like that’s sort of naturally there in comedy. Just kind of thinking about what is being said and what that would reflect on, and the impact of that; it’s just something that you’re conscious of I think. 

What do you hope to achieve with your podcast? 

I think that I just want to have something that I would like to listen to, you know? That I would really be interested in. It’s sort of like paying it back for all of the times that I have really been entertained by podcasts. Just to be able to throw my own hat into the ring with my own perspective; I think it’s really fun. So that’s kind of my goal. I want to participate in this world and make something that you can listen to for several hours a day. 

Do you ever listen to your own podcasts? 

Yeah and it’s funny because it’s like, I’ll be listening and then hear something and be like, “Oh god, I forgot that.” Like I really do forget! And then I have a lot of them from the first podcast I did that I really, really like but I completely forgot about. There’s so many things that I remember later after listening to it. So it’s really fun. 

I cringe when I have to hear my voice on recording, so I’m always curious if podcasters listen to their episodes and if they feel the same way.

Oh, I know, I hate my voice. It’s so annoying and embarrassing, but then you’ve got to get over it because you’re putting it out. So yeah I know exactly that feeling. I hate, hate, hate it. But it’s like you sort of have to get over it, because no matter what, you have to listen to make sure it’s right. You know? But yeah, it sucks. (laughs)

What has been your most memorable moments so far? 

I think it’s just like being able to just witness the rise of Jonathan’s career and being a part of it, and helping him along the way. You know, he’s really special and that for me has been really fulfilling. So I think that’s really remarkable. We just really got started. So we have lots of episodes still that need to be recorded that are coming in. Lots of guests that I’m really excited about. So I’m really, really thrilled about that.

Any future guests in particular that you’d like to share? 

Yes! I’m excited, we’ll be doing Quentin Tarantino and Diablo Cody, and Amy Landecker from “Transparent” who I love. And so there’s so many different people coming on that I’m really thrilled about that. So diverse. Oh, and Trixie Mattel, which is great. I love Trixie. It’s just all really exciting. I love it. 

Episodes can be found on Apple, Stitcher, Acast, Spotify or wherever you subscribe to podcasts. Listen here to a trailer of the show.

The post Margaret Cho chats about new celeb-filled podcast appeared first on Backstage Socal.

Hopeless romantics, you may want to listen up: for all of those nights of wondering if you will ever find “the one” or if “happily ever after” is real, a new podcast is hopelessly devoted to telling true love stories that are sure to give you butterflies. 

Actress Ingrid Haas (Chelsea Lately, Key and Peele) is the host of “The Moment,” a podcast produced by Wondery which premiered on July 1 and drops every Wednesday. Ingrid, who just recently got engaged herself, explores the love stories from real couples to learn what went wrong, what went right, surprise engagements and tense wedding ceremonies. 

Ingrid chatted with us about her new venture into the smooth and rough waters of epic romance. 

What was the inspiration behind creating The Moment podcast?

I was inspired to talk about love after I got engaged. Mostly because I have so many questions about how love works. Especially now that I’m engaged. Mostly how marriage works for different people. A naive part of me always thought it all gets figured out after you find your person, but my experience was that I had more questions than ever! The producers who I work with, Leah Sutherland and Stephanie Jenz, find these incredible stories about love and relationships and at our core, I think we are a bunch of hopeless romantics over at Wondery. We all know people with wild, unbelievable stories about love and relationships and we hadn’t heard anything like this. So we made it!

What are some of the highlights of this first season?

Each episode is so unique and exciting and really focuses on a different couple’s story. We have an episode with Taylor Swift, another one about how a couple froze their embryos before they even had sex! I love the finances episode with Naomi and Andy because they are comedians and very fun to listen to, but also because money is still rarely talked about and we talk about it!

Who do you feel this podcast subject will appeal to the most?

Anyone who believes in the power of love. And my hope is that it’s appealing to people who’ve become a little cynical about love.

What has been your favorite part of podcasting?

I come from a writing and comedy background, so my favorite part is riffing in the studio with the producers. We have a lot of fun making each other laugh and I especially love getting the opportunity to rework jokes or fine tune stuff.

What challenges have you faced in creating the first season?

I would guess finding the couples who we interview. But overall, Wondery is a fantastic network and I am so lucky to be part of the family.

What is it about love and romance do you feel people are more willing to do a “grand gesture”?

I’m not a relationship expert by any stretch, but as someone who’s done some wild grand gestures in my life, I think falling in love with someone makes us feel so good. I always wanted to find a way to show love can make us go blind, crazy and everything in between.

What do you hope listeners will get from “The Moment?”

That love is out there. For everyone. It’s worth the wait and I think even moreso, worth the work.

Anything else you would like to readers to know?

We love our listeners and I read all your comments and feedback and read each of your emails. It’s genuinely so nice to hear that we are giving people hope to find their match and brightening people’s day. Being a part of something that brings light into the world has been such a gift for me.

For more info, visit: https://wondery.com/shows/the-moment/

The post Actress Ingrid Haas explores true love and heartache in new podcast appeared first on Backstage Socal.

Just when you thought every subject and format has been covered in the podcast sphere, “Sex For Money” makes its way into the orbit. Hosted by actress Aasha Davis (Drunk History, Friday Night Lights), a game show format is used to what she describes as “demystifying” the topic of sex.

So how does this work? We just had to know. Before listeners can start streaming the show on the podcast network Earios on Aug. 7, we chatted with Aasha to learn more about the newest game show made specifically for your listening pleasure. 

How did you come up with the idea of creating a game show podcast with a sex theme? 

I became excited about the idea of an informational podcast with the energy of a game show when I started listening to sex podcasts and found myself losing interest halfway through. The subject matter was fascinating to me but I still found myself constantly checking to see how much time was left until it was over.  I wanted to find a way to learn about human sexuality without it feeling like a lecture and since I’m competitive and love bonding with my friends over poker nights I figured why not combine the two loves. 

What are some examples of the games that are played? 

All our episodes revolve around a theme for example we did a show called  “Sex Through The Ages” and invited two contestants from different generations to play games about everything from Ancient Historical sex practices to the current sex practices of Baby Boomers. 

We always start with “Foreplay” because it’s crucial for us to get to know our guests, their thoughts on our theme and, let’s face it, have a good time. So we engage about topics like how our contestants first learned about the “birds and the bees” or whether they think men should always pay for the first date. 

Once we’re warmed up, we ask our contestants True or False and Multiple Choice questions based on our theme, which sparks fun conversation throughout. We’ll also throw in silly games like, “What Sound Is This?” where the contestants have to guess whether it’s a porn sound or a farm sound. Then we always end with the “Post coital cool down” to absorb what kinds of new things our guests learned throughout the game. 

Just like a good date the experience holds your attention and leaves you looking forward to the next encounter. 

What has been your most memorable moment working with the podcast so far? 

That’s a tough one! Every episode I literally laugh until my cheeks hurt! Thus far, if I HAD to pick just ONE it would be the laughs we had while playing “What Am I Touching?” a tactile game where we blindfold our contestants and have them describe and guess what they are holding to the listeners. Is it a sex object or a regular household item? Maybe it’s both!

How is the transition from acting to podcasting going for you? 

It’s been great! I consider myself a people person, so I started out my career wanting to be a host, and connect with people one-on-one. To ready myself I took improv classes, and to support myself I started doing commercials which eventually led me to acting in film and TV. So as a result returning to this type of spontaneous interaction feels a lot like home. 

Your podcast description states the game show is to “demystify the sexual experience.” How is this accomplished through the podcast? 

When you’re playing these types of games it sparks conversation. It’s easier to say “Oh that reminds me of the time…” or “I read an article about this and it made me feel…”  It opens that heavy door that has obstructed our society’s ability to freely talking about sex. 

What kind of guests do you have on the show? 

It’s a panorama! We’ve had everyone from well-known personalities like Lauren Sivan to my 24-year-old cousin, Sierra McKie. My hope is that the experience feels like a really fun game night with the most interesting people you know. So we pick our guests based on how comfortable they are with the subject matter, how entertaining they are in a competitive atmosphere, and how badly they need or want a hundred bucks.  

What audience are you looking to appeal to the most? 

Anyone over 18. 

Do you have a funny, shocking or fascinating story in regards to the production of the podcast that you would like to share?

I own a (very professional) bag filled with sexy swag that I like to gift to our guests so that no one walks away empty-handed. At our last taping, I was walking from my car to our studio when I heard something make contact with the ground. When I turned around, I was blushy to find a breadcrumb like trail of ribbed and banana flavored condoms. My producer assured me that it probably wasn’t the first time such a scene unfolded in our Hollywood neighborhood.

What do you hope to achieve with this podcast?

Similar to the perfect orgasm, my hope is that this podcast experience releases our listeners load in an enjoyable way and leads them to bragging about it to all their friends.

Listen, learn and laugh to Sex For Money wherever you listen to podcasts. Get behind-the-scenes insights at sex_for_money_gameshow on Instagram.

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